Cross Worlds refers to cultural hybrids, transcultural alliances and associations. Contributors are from a range of places and disciplines and their work reflects the Jack Kerouac School’s unique zone of interaction, which runs parallel to more mainstream academic institutions. This fascinating compendium of documents, in essays, conversations, and Socratic raps, the vital work poets perform when they write across borders.
Monica de la Torre
“This wondrous, extraordinary collection reflects the facets and range of artists that interact with each other and fellow luminary Anne Waldman, evoking human interactions beyond our constructions of nations and states, and prompting us to think about our connection to the planet itself and all its inhabitants. Contemplative, illuminating, unusual and global, Cross Worlds is an excellent compilation of the confluence of global systems and renowned workers/players/experimenters of language and culture. What’s also really wonderful in it are the many instances of these word masters in conversation with each other and the insights generated by their discourse. I appreciate what this book will continue to do for future decades, future books, future worlds.” —Tracie Morris
“This collection presents an excellent snapshot of contemporary international poetry.” —Cultural Weekly
“Filled with a variety of useful riches that traverse a dizzying array of languages, geographies, and political realities, Cross Worlds: Transcultural Poetics—like previous volumes Civil Disobediences and Beats at Naropa—continues to deliver the goods stored in the Archives of the Jack Kerouac School of Disembodied Poetics. We are in need, more than ever, of this kind of archival attention, as even our recent past gets consumed by the present. This ‘news that stays news’ moves from Allen Ginsberg on Aboriginal poetics to Vietnam, the Mayan classics, Puerto Rico, African America, and the need for gringos to encounter the world as seen through Arab and other eyes. Poetic thought here, the thought of poets, is provocative, critical, and necessary, a way of grasping the worlds we now live in and how they came to be.” —Ammiel Alcalay
“A firm belief in poetry’s inherent transformative principle properties is pervasive throughout this collection. From continents to languages, there’s a diverse offering of perspective both historical and contemporary.” —Jacket 2