Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies—by constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has built a universe that’s highly imaginative, incredibly original, and absolutely discomfiting. The stories in The Doll’s Alphabet are by turns childlike and naive, grotesque and very dark: the marriage of Margaret Atwood and Angela Carter.
“If fairytales could dream, this nightmarish collection is what you might end up with. . . . Grudova very efficiently spins us into her weird web.” —Times Literary Supplement
“That I cannot say what all these stories are about is a testament to their worth. They have been haunting me for days now. They have their own, highly distinct flavour, and the inevitability of uncomfortable dreams.” —The Guardian
“The effect of the absurd, unnatural, cruel, and unfair social rules in these stories is to cast light on how absurd, unnatural, cruel, and unfair the rules of contemporary society can be.” —Kirkus
“Grudova’s style is an exotic cocktail: three parts magic realism, two parts dystopian, and a splash of extreme feminism. However, there is a playful intelligence driving these weird stories and a real talent that can’t be dismissed — even when she seems most eccentric.” —Daily Mail
“This doll’s eye view is a total delight and surveys a world awash with shadowy wit and exquisite collisions of beauty and the grotesque.” —Helen Oyeyemi, author of Boy, Snow, Bird
“Down to its most particular details, The Doll’s Alphabet creates an individual world—a landscape I have never encountered before, which now feels like it was waiting to be captured, and waiting to captivate, all along.” —Sheila Heti, author of How Should a Person Be?
“Marvellous. Grudova understands that the best writing has to pull off the hardest aesthetic trick—it has to be both memorable and fleeting.” —Deborah Levy, author of Hot Milk
“The stories included in [Grudova’s] debut collection [The] Doll’s Alphabet are at once macabre and wondrous. . . . Grudova’s imagination is among the most potent to emerge in literature in recent memory.” —Entropy
“Beginning with a tale of ‘unstitching,’ the ambitious short stories in The Doll’s Alphabet play out like dreams in which recurring obsessions stitch themselves into the narrative at a bizarre and unsettling cost. . . . Just when we feel we have escaped the familiar for the fantastical, an event or a detail pulls us back. The resulting picture is one of a society determined by structures as opaque and incredulous as our own.” —TANK
“Grudova’s prose is both elegant and nonchalant, offering horrific imagery as if nothing were untoward, and a feminist subtext colours almost every story.” —Buzz Mag
“…Grudova’s beguiling collection of short stories – filled with mermaids and werewolves – announces the arrival of a major new voice in Canadian fiction.” —The Globe and Mail, “The Most-Anticipated Books of the Rest of 2017″
“At once illuminating and completely unsettling, The Doll’s Alphabet is an incredible collection featuring stories that almost feel as if they exist in a shared world in the not-too-distant future. These are stories about obsessions and perceptions, imbalances of privilege, the absorbing and painful nature of motherhood, and spooky mundanities like tinned meats, costumes, and sewing machines. Full of memorable moments; fascinating, vivid details; and grotesque facts of the body, The Doll’s Alphabet is an intelligent exploration of identity, femininity, and attraction.” —Johanna Albrecht, Flyleaf Books