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      <image:caption>Cover of Dan Beachy-Quick&apos;s &quot;An Impenetrable Screen of Purest Sky,&quot; on a blue and green background featuring a silhouette of a sailboat that has an empty crossword puzzle inlaid. </image:caption>
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      <image:caption>Cover of the anthology &quot;Beats at Naropa&quot; with the title in a yellow rectangle, the names of the authors in a vertical red column, and the name of the editors at the bottom in a blue rectangle. The center of the cover features four people in black and white. </image:caption>
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      <image:caption>Cover of Sarah Fox&apos;s &quot;Because Why,&quot; with swirling colors of blues, greens, reds, and purples.</image:caption>
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      <image:caption>Cover of &quot;Becoming Weather,&quot; by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper. </image:caption>
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      <image:caption>Cover of &quot;Bingo Under the Crucifix,&quot; by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth. </image:caption>
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      <image:caption>Cover of &quot;Cross Worlds,&quot; edited by Anne Waldman and Laura Wright, which features a black and white photo of a group of people, excluding their heads, and it also contains green, orange, and red rectangles containing text. </image:caption>
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      <image:caption>Cover of &quot;German for Travelers: A Novel in 95 Lessons,&quot; by Norah Labiner, which features a black and white photo of two young girls wearing dresses and standing on some sort of drift wood. </image:caption>
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      <image:caption>Cover of &quot;Glory Goes and Gets Some,&quot; by Emily Carter, which features a black and white image of a woman&apos;s eyebrow, eye, and a small portion of her hair is seen. </image:caption>
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      <image:caption>Cover of &quot;Good Stock Strange Blood,&quot; by Dawn Lundy Martin, which features notebook paper as the background, an abstract image of an octopus-looking creature, and a lurking face.</image:caption>
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      <image:caption>Cover of &quot;Gunga Din Highway,&quot; by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them. </image:caption>
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      <image:caption>Cover of &quot;Handling Destiny,&quot; by Adrian Castro, which has an image of a rising sun, as well as an overlay of silhouetted people standing side by side in several rows diagonally.  </image:caption>
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      <image:caption>Cover of &quot;Her Wild American Self.&quot; by M. Evelina Galang, featuring a drawn portrait of the author, as well as an image of a group of people of various ages in shades of red and white. </image:caption>
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      <image:caption>Cover of &quot;High Holiday Sutra,&quot; by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position. </image:caption>
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      <image:caption>Cover of &quot;Hold It &apos;Til It Hurts,&quot; by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface. </image:caption>
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      <image:caption>Cover of &quot;Horse, Flower, Bird,&quot; by Kate Bernheimer, featuring a blue creature; the body of an ostrich, the head of a woman, and feathers in the shape of a large flower. </image:caption>
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      <image:caption>Cover of &quot;Hotel Lambosa,&quot; which has a sketched illustrations of a woman holding a small child and a man leaning towards them from the side. They are all colored in muted pastels and the border of the cover is in a turquois blue. </image:caption>
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      <image:caption>Cover of &quot;House of Coates.&quot; by Brad Zellar, which is a photograph of bare trees and falling snow captured at night. </image:caption>
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      <image:caption>Cover of &quot;How I Learned,&quot; by Gloria Frym, which shows a black and white image of an old school room, complete with desks, chairs, and a blackboard. </image:caption>
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      <image:caption>Cover of &quot;How Long,&quot; by Ron Padgett, featuring the legs of a person wearing pinstriped pants and white sneakers standing on top of a cracked floor that has various shaped and colors on it. </image:caption>
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      <image:caption>Cover of &quot;How To Accommodate Men,&quot; by Marilyn Krysl, which features the image of a woman in a bikini lying on her side and shading her eyes. Above her is the image of an atomic bomb blowing up, which is shaded in red. </image:caption>
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      <image:caption>Cover of &quot;How We Speak To One Another,&quot; edited by Ander Monson and Craig Reinbold, which shows stick-figure people in various poses holding red and white flags, and each contributors name is listed below a figure. </image:caption>
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      <image:caption>Cover of &quot;In The Futurity Lounge,&quot; by Marjorie Welish, which has a bright orange background that has been inlaid with the praise of the book. </image:caption>
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      <image:caption>Cover of &quot;In the Room of Never Grieve,&quot; by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her. </image:caption>
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      <image:caption>Cover of &quot;In the Shadow of Al-Andalus,&quot; by Victor Hernández Cruz, which features a chair holding a white hat and a checkered, multi-colored wall behind it. </image:caption>
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      <image:caption>Cover of &quot;My Love, My Love, or The Peasant Girl,&quot; by Rosa Guy, which features an image of the beach as the tide is going out, which reveals a spiral seashell. </image:caption>
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      <image:caption>Cover of &quot;On the Planet without Visa,&quot; by Sotère Torregian, which features an illustration of a desert and a blue sky, as well as a statute of a woman&apos;s head laying in the sand. </image:caption>
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      <image:caption>Cover of &quot;One Thing That Can Save Us,&quot; by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background. </image:caption>
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      <image:caption>Cover of &quot;Open Line,&quot; by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue. </image:caption>
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      <image:caption>Cover of &quot;Pages from a Scrapbook of Immigrants: A Journey in Poems,&quot; by Morton Marcus, which features an illustration of a man with a long beard wearing a trench coat seated in front of some sort of religious building. </image:caption>
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      <image:caption>Cover of &quot;Paul Metcalf Volum I,&quot; by Paul Metcalf, which features an black and white image of a man lighting a pipe. </image:caption>
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      <image:caption>Cover of &quot;Paul Metcalf Volume Two,&quot; by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing. </image:caption>
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      <image:caption>Cover of &quot;Paul Metcalf Volume Three,&quot; by Paul Metcalf, which features a black and white image of a man holding a pipe, smiling, and looking away from the camera. </image:caption>
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      <image:caption>Cover of &quot;Pictures of a Dying Man,&quot; by Agymah Kamau, which features an illustration of palm trees, the sun, grass, and wind whirls, all done in chalk and set against a black background. </image:caption>
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      <image:caption>Cover of &quot;Portrait and Dream,&quot; by Bill Berkson, which focuses on an illustration of a shaft of sunlight coming through a slanted window.</image:caption>
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      <image:caption>Cover of &quot;Portrait of the Walurs By A Young Artist,&quot; by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza. </image:caption>
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      <image:caption>Cover of &quot;Prayers of an Accidental Nature,&quot; by Debra Di Blasi, which features an illustration of a person&apos;s hand laying on a tiled floor surrounding by maple leaves. </image:caption>
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      <image:caption>Cover of &quot;Prelude To Bruise,&quot; by Saeed Jones, which features an image of several people standing in a body of water.</image:caption>
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      <image:caption>Cover of &quot;Pretentiousness,&quot; by Dan Fox, which features a large letter P in white with the rest of the title in smaller font. The rest of the cover is pure black.  </image:caption>
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      <image:caption>Cover of &quot;Psychedelic Norway,&quot; by John Colburn, which features the silhouettes of several farm animals shaded in pink, small illustrated flowers, and a white bunny.</image:caption>
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      <image:caption>Cover of &quot;Ray of the Star,&quot; by Laird Hunt, which shows the indistinct of a bronze statue in a hunched pose. </image:caption>
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      <image:caption>Cover of &quot;Red Beans,&quot; by Victor Hernández Cruz, which has the image of a black lace fan inlaid with white abstract designs, and in the background there is an orange lattice design, and half of a guitar that has black and white swirls. </image:caption>
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      <image:caption>Cover of &quot;Red Suburb,&quot; by Greg Hewett, which features the very blurred image of two people in a convertible, one in the driver&apos;s seat, and one behind holding on to them. </image:caption>
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      <image:caption>Cover of &quot;Rounding the Human Corner,&quot; by Linda Hogan, which features a closeup of a horse&apos;s face and eye and the rest of the cover gives the appearance of looking felt-like. </image:caption>
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      <image:caption>Cover of &quot;Routine Disruptions,&quot; by Kenward Elmslie, which has the repeating image of a woman wearing a red dress and a red hat with both arms outstretched in front of her. </image:caption>
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      <image:caption>Cover of &quot;Sari of the Gods,&quot; by G.S. Sharat Chandra, which shows an illustration of a woman wearing a blue and purple sari standing in front of a city with tall buildings. </image:caption>
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      <image:caption>Cover of &quot;Secret Weapon,&quot; by Eugen Jebeleanu, which features a desaturated photograph of a man with down cast eyes. </image:caption>
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