CHWP Blog
A Dangerous Ornamental—Jennifer Kabat
Thank you all for your patience as we prepared our next entry in the CHWP. I was on the road with my family, trying to...
MOTHERS' LETTERS IN PANDEMIC: WHEN THE WORLD STOPPED TOUCHING—JULIA KOLCHINSKY DASBACH AND LUISA MURADYAN
The COVID-19 pandemic seems to bring us back to histories that many of us had previously been too distracted to entertain. Family histories, childhood memories,...
QUARANTINE NOTEBOOKS: A RHETORICAL ANALYSIS — AN ESSAY BY DOT DEVOTA
In her work, Anne Waldman asks again and again what it means to be a poet in our time. I think about this in relation...
Pandemic Up North: A Comic by Crystal Gibbins
This past week or two we’ve been seeing a surge in cases of COVID-19, and some states have reimposed restrictions that had been lifted only...
Tripartite: A poem by Omotara James
Omotara James’s poem, “Tripartite,” considers the violence of the now and the simultaneous flatness of sequestering oneself. It speaks to life in a sick nation...
Shameful and Perverse: Sick Fiction for an Ailing World — A response to new fiction by Justin Walls
It’s safe to say that most of us are thinking not only about what it means to be healthy in body but also and especially...
coronaverse (April-May, 2020): New nonfiction by Fernando A. Flores
As a writer and bookseller, Fernando Flores has an eye and an ear for the humanity in absurdity. His contribution to the CHWP is a...
Beyond COVID: An update on the CHWP
Several of the commissioned pieces for the Coffee House Writers Project, by Eloisa Amezcua, Fernando A. Flores, and Justin Walls, among others, were written in...
Fighting is Like a Wife: A Multimedia Piece by Eloisa Amezcua
Our first CHWP publication is a multimedia piece from Eloisa Amezcua, a poet whose work challenges our ideas about what a poem can do, can...