“The purest language, in minimal lines like those of Williams or Creeley, makes one think of other arts in their purity: a clean tone of harpsichord of music, or flute, or lute, or Matisse colors, or sumi painting or the Zen archer, shooting well.”
—Alicia Ostriker, Partisan Review
“Corman’s questions speak what whole libraries have debated about contemporary experience. And they show his method very well—conflict, balance, compression.”
—Hayden Carruth, The New York Times Book Review