”Deliciously ridiculous: complicated, high-minded, and silly.”
—Publishers Weekly, starred review
”A sharp, taut portrait of curdled, angry leadership.”
—Kirkus, starred review
“Reading Ada confirmed not what I suspected but what I already knew: With each of his books, Mark Haber is building, brick by brick and saint by saint, his immense and immaculate cathedral where style is plot and plot is style. Here, at last and again, the passionate gospel."
—Rodrigo Fresán, author of Melvill
“With winding sentences puckered and punched by commas, Haber delivers aesthetic pleasure, profligate humor, and terrifying truth. As with the best and sharpest satires, we peasants outside the gates have no choice but to laugh with eyes open wide."
—Amanda Goldblatt, author of Hard Mouth
“Peering down the cliff of Mark Haber's Ada, one is awed, horrified, and riveted by the motion of this satire on power and mania. A story of desire, betrayal, and possession reveals how tyranny blooms from the petty, this pursuit of a world birthed by chasing the thing that consumes us.”
—Alina Stefanescu, author of My Heresies
"Ada is a rigorously funny novel, an eccentric and visionary work. Once finished, it's hard to return to reality."
—Andrea Bajani, author of If You Kept A Record of Sins
“Hard to imagine so much utter hilarity in so slim a work, but Mark Haber’s fourth novel is, by far, the funniest book this reader has read in ages. With enough wit and charming ribaldry to give your rectus abdominis a proper workout,Ada is the tale of a duncical autocrat ruling his realm not by principled fiat, but instead by vibes and whim. With its absurdist bent, delectably wending prose, and some truly unforgettable scenes,Ada is first-rate farce at its uproarious best.”
—Jeremy Garber, Powell's Books
“Reading Haber is like watching a great actor take the stage and risk it all with every word. And Haber's sentences—manic, recursive, always surprising—are among the finest in contemporary literature. Of his many obsessives, Desacroux may be his funniest and most frighteningly human, a character that is as timeless as he is inescapably a symbol of our age. This is an essential American novelist working at the height of his powers.”
—Brian Castleberry, author ofThe Californians and Nine Shiny Objects
“Ada is a wild fairytale. It’s also true in the way that tall tales can be true. The book suggests a postmodern Gerard de Nerval — Nerval on steroids, the Rococo gone Goth Baroque.”
—Jed Perl, author of New Art City, Authority and Freedom, and We Never Called it Frisco
