“Savage balances the personal with research so readers can feel both why she cares and why we should. This work is a worthy reflection.”
—Abby Manzella, Star Tribune
“From Superfund sites and brownfields to polluted waters and the local industrial yard of her childhood, Savage delivers her poetic dispatches from injured places.”
—Orion Magazine
“Savage masterfully unites the personal and the political through lyrical flair and an inquisitive approach into environmental existentialism. . . . Savage’s writing is both scholarly and accessible, resulting in a powerful and profound debut.”
—Evan Youngs, Rain Taxi Review of Books
"Savage combines memoir with environmental and social commentary in her haunting debut. . . . A work of both elegiac beauty and horror. . . . This one’s tough to forget.”
—Publishers Weekly
“A lyrical exploration of grief and ecology. . . . Savage creates a compelling meditation that flows beyond the typical stylings of memoir, journalism, and theory. An interrogative, existential crisis at the center of an ongoing ecological one.”
—Kirkus
“Reading Savage’s writing is like taking a walk beside a friend with an extraordinary eye for all the unlikely and remarkable details along the path, the ones you would have missed if you had to walk it alone.”
—Kathryn Nuernberger
“This probing book asks the hard questions in a compelling blend of memoir, essay, biography, and reportage. The inside is the outside now. The outside is inside.”
—Kazim Ali
“Kathryn Savage roots down into one broken place––a place most would rather overlook––and listens. Groundglass is both a commitment and a grappling, and for that reason it will stay with me for a very long time.”
—Elizabeth Rush
“Through exquisitely honed language and poetic imagery, Kathryn Savage skillfully juxtaposes her father’s cancer with the ecological violence she witnessed at toxic Superfund sites, crafting an unflinching portrayal of ‘the world as body.’”
—Diane Wilson