Book Cover featuring a light blue background and repeating nature imagery in a zig zag formation with the title and author on top of the imagery in yellow text

The Nature Book

A novel by Tom Comitta
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Part sweeping evocation of Earth’s rhythms, part literary archive, part post-human novel, The Nature Book collages descriptions of the natural world into a singular symphonic paean to the planet.

What does our nature writing say about us, and more urgently, what would it say without us? Tom Comitta investigates these questions and more in The Nature Book, a “literary supercut” that arranges writing about the natural world from three hundred works of fiction into a provocative re-envisioning of the novel. With fiction’s traditional background of flora and fauna brought to the fore, people and their structures disappear, giving center stage to animals, landforms, and weather patterns—honored in their own right rather than for their ambient role in human drama. The Nature Book challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.

Publication date: March 14, 2023

Format: Trade Paper

Dimensions: 5.5 x 8.25

Page count: 272 pages

ISBN: 9781566896634

Tom Comitta is the author of 〇, Airport Novella, and First Thought Worst Thought: Collected Books 2011–2014, a print and digital archive of forty “night novels,” art books, and poetry collections. Comitta’s fiction and essays have appeared in WIRED, Lit Hub, Electric Literature, the Los Angeles Review of Books, the Believer,BOMB, and Best American Experimental Writing 2020. They live in Brooklyn.

An Independent Book Review Best Book We Read in 2023

“Symphonic, both in its structure. . . and in the way language echoes, builds, works its accretive magic. . . . Seeing the world like this, without us, traversed in a way we could never traverse it in our human bodies, is a powerful and exhilarating experience.”

—Cara Blue Adams, The New Yorker

“A marvel of textual collation on a par with Christian Marclay’s supercut film 'The Clock.’ It’s remarkable how coherently the narrative reads, despite its countless patchwork pieces, a testament not only to Comitta’s diligence but to the likeminded ways that novelists have tended to write about natural phenomena like snowfall or sunrise.”

—Sam Sacks, The Wall Street Journal

“A meditative, lush narrative on the relationship between time and nature. . . . You’ll be hard-pressed to find another book with as verdant an archive of beautiful descriptive sentences as the one contained in The Nature Book.”

—Darina Sikmashvili, Los Angeles Review of Books

“With long asides alongside neat rhymes, with ponderous thoughts on the nature of time near light scenes showing time’s mysterious passing, with ‘a great nest of angry snakes’ and still green apple trees, Comitta has created something a lot like an ecosystem.”

—Madeleine Crum, The Baffler

“An epic journey—visual, textural and musical—that illustrates the vastness of our environment and its representation in literature.”

—Joseph Holt, The Star Tribune

“Their authorial vision weaves together a wild variety of styles with a steady eye on the land, sky, and water, as well as on the plants and animals living in each. The novel flows beautifully. . . . An optimistic critique of the form, made entirely of the form.”

—Crow Jonah Norlander, BOMB Magazine

“A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience.”

Kirkus, starred review

“In this seamless anthology, we forget that the experience of reading about nature is mediated by human voices and, when suspended in the text, succumb to the magical illusion that we are perceiving the world in itself.”

—Will Chancellor, The Brooklyn Rail

“It’s all this different, beautiful language synthesized into one narrative that mostly describes the environments you’re passing through. I think it’s amazing.”

Jeff Tweedy of Wilco

“This is a novel to dwarf all others.”

—Jonathan Lethem

“A feat of conceptual art, biblical in tone and panoramic in scope.”

—Kathryn Scanlan

“In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project.”

—Jarett Kobek

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