Congratulations to LaTasha N. Nevada Diggs whose poetry collection Village has been named a finalist for the 2024 Firecracker Award in Poetry!
Please join Coffee House Press at the virtual awards ceremony on June 27 at 5pm CT where winners in each category will be announced. Click here to register.
In 2023 Look At This Blue by Allison Adelle Hedge Coke and Brown Neon by Raquel Gutiérrez were finalists for Poetry and Creative Nonfiction, respectively.
All of us at Coffee House send our congratulations to LaTasha, and our thanks to CLMP and the Firecracker Award judges for recognizing their literary achievements!
Click here to order your copy of Village.
About LaTasha N. Nevada Diggs
A writer, vocalist and performance/sound artist, LaTasha N. Nevada Diggs is the author of Village (Coffee House Press 2023), TwERK (Belladonna, 2013) as well as the co-editor of Coon Bidness. Diggs has presented and performed at California Institute of the Arts, El Museo del Barrio, The Museum of Modern Art, and Walker Art Center and at festivals including: Explore the North Festival, Leeuwarden, Netherlands; Hekayeh Festival, Abu Dhabi; International Poetry Festival of Copenhagen; Ocean Space, Venice; International Poetry Festival of Romania; Question of Will, Slovakia; Poesiefestival, Berlin; and the 2015 Venice Biennale. As an independent curator, artistic director, and producer, Diggs has presented events for BAMCafé, Black Rock Coalition, El Museo del Barrio, Lincoln Center Out of Doors, and the David Rubenstein Atrium. Diggs has received a 2020 C.D. Wright Award for Poetry from the Foundation of Contemporary Art, a Whiting Award (2016) and a National Endowment for the Arts Literature Fellowship (2015), as well as grants and fellowships from Cave Canem, Creative Capital, New York Foundation for the Arts, and the U.S.-Japan Friendship Commission, among others. She lives in Harlem and teaches part-time at Brooklyn College.
About Village
Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement.
In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.
Click here to order your copy.