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Book Cover featuring an red geometric 3D shape sitting on a yellow lower half of the background with a dark green upper background and title text

The Devil of the Provinces

Cover of "The Devil's Snake Curve," by Josh Ostergaard, which shows a blue background that meets a tan color at the bottom of the page, as well as includes an illustration of a baseball.

The Devil's Snake Curve

Cover of "The Dig," by Cynan Jones, showing jagged lines running through the title in black and white.

The Dig

Book cover featuring color antique rectangular shapes in blue green and silver with the title and author in the center blue shape

The Doll's Alphabet

Cover of "The Eros Conspiracy," by Greg Hewett, featuring a photo of the upper right side of a man's body overlaid with white text.

The Eros Conspiracy

Cover of "The Exquisite," by Laird Hunt, featuring a closeup of a human eye that is blueish green with a golden rim around the pupil.

The Exquisite

Cover of "The Falling Down Dance," by Chris Martin, which shows a light purple background with a white liquid being poured in front of it.

The Falling Down Dance

Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

The First Flag

Cover of "The Gift," by Barbara Browning, featuring an illustration of a humanoid figure's chest and arms painted in shaded of blues, reds, and greens, with distorted shadowy arms beneath the image.

The Gift

Book cover featuring a sketch of two legs in motion running over an object and a reflection of a hand below them

The Glassy, Burning Floor of Hell

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "The Green Lake Is Awake," by Joseph Ceravolo, featuring a red background with a black abstract forest with some sort of design running through it.

The Green Lake Is Awake: Selected Poems

Cover of "The Hebrew Tutor of Bel Air," by Allan Appel, showing a light blue wall and arms that are dangling over the edge.

The Hebrew Tutor of Bel Air

Book Cover featuring a multicolored background of abstract and geometric shapes shapes and line drawings. Lower half background is pink while upper half background is white.

The Heiress/Ghost Acres

Cover of "The History of the Future: American Essays," by Edward McPherson, which shows a map of the United States that is bisected with roadways and contains red dots in varying sizes.

The History of the Future: American Essays

Cover of "The Hope of Floating Has Carried Us This Far," by Quintan Ana Wikswo, which shows an image of a seaside partially covered by brambles and leafless branches.

The Hope of Floating Has Carried Us This Far

book cover

The Impossibly

Book cover featuring squares and lines of multiple colors on a white background with a black square in the middle. Title and author above the square image in bold text of matching colors

The Intangibles

Cover of "The Iovis Trilogy," by Anne Waldman, which has a faint yellow mandala design at the top of the page with a tribal statue in front of it, and the rest of the cover is in black.

The Iovis Trilogy

Cover of "The Lakestown Rebellion," by Kristin Lattany, featuring a saturated image of a construction sign reading 'Road Construction Ahead'.

The Lakestown Rebellion

Cover of "The Last Communist Virgin," by Wang Ping, which shows an image of a woman turned away from the viewer to expose the three stars tattooed on the back of her shoulder as she looks at a brick wall.

The Last Communist Virgin

Cover of "The Last Warner Woman," by Kei Miller, which shows a silhouette of an arm holding a bundle of shadowed flowers against a bright red background.

The Last Warner Woman

Cover of "The Latehomecomer," by Kao Kalia Yang, which features an illustration of a swirling cloud on a gradient blue background.

The Latehomecomer

Cover of "The Lion's Share," by Rochelle Ratner, showing a drawing of a woman in a blue dress sitting in a chair and holding a lion cub in her lap.

The Lion's Share

Cover of "The Long Dry," by Cynan Jones, featuring shades of orange and tan that are shaped into figures of grass and a claw-like creature.

The Long Dry

Cover of "The Loving Detail of the Living & the Dead," by Eleni Sikelianos, which features collage style images: a close-up of someone's eyes, a person on a bicycle, and a man laying down. The rest of the background is a checkered patterned in varying cool tones.

The Loving Detail of the Living & the Dead

Cover of "The Magic Whip," by Wang Ping, featuring a photograph of a woman in a magenta robe braiding her long, dark hair.

The Magic Whip

Book cover featuring an image of a Black person standing sideface with a black mask covering their head in the geometric shape of a 3D antlered animal

The Malevolent Volume

Cover of "The Man in the Cardboard Mask," by Alvin Greenberg, which features an illustration of a man's face in black ink and minimal detail.

The Man in the Cardboard Mask

Cover of "The Man Who Swam with Beavers," by Nancy Lord, which is bordered by an illustration of tree branches, contains a painting of a foggy forest, and within this forest there is a streetlight, road sign, and a telephone.

The Man Who Swam with Beavers

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

The Marvelous Bones of Time

Cover of "The Meat and Spirit Plan," by Selah Saterstrom, featuring a discolored purple photo of a woman wearing a cloak and a hood with devil horns.

The Meat and Spirit Plan

Cover of "The Mermaid That Came Between Them," by Carol Ann Sima, featuring an illustration done in black and white of an ocean with a large fish's tale emerging from the waves.

The Mermaid That Came Between Them

Book Cover of "The Mind Reels" featuring a woman's face overlayed by circular rings and numbers 1 through 6

The Mind Reels

Cover of "The Mirror of Monsters and Prodigies," by Pamela Ditchoff, which shows a distorted drawing of a man looking into a mirror.

The Mirror of Monsters and Prodigies

Cover of "The Moon in Its Flight," by Gilbert Sorrentino, featuring a blurry photo of an old granite structure.

The Moon in Its Flight

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