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Signed Editions

29 products

Book cover featuring gray background with the title written vertically half on the left side and half on the right side of the cover.

THRESHOLES

Book Cover of "Lesser Ruins" featuring a picture of Michel de Montaigne broken up into rectangular mosaic pieces in the shape of a globe

Lesser Ruins

Book cover featuring background image of a forest and field under a grey sky with a 3D image of a crystal in the center fragmenting the trees

Not Here

Book cover featuring green imagery of a forest with blue paint splatters across the cover. Title and author in bold white text centered in the middle.

Reinhardt's Garden

Book Cover featuring an interpretation of Saint Sebastian with black paint splatters and the title and author in white text in the center

Saint Sebastian's Abyss

Book Cover of "True Failure" featuring a man standing at train tracks watching a train go by with screens of varying images as the windows

True Failure

Book cover featuring a waterfall at night with many shooting stars overhead. Title in bold white font in middle of cover.

Reel Bay: A Cinematic Essay

Book cover featuring image of various buttons and apps on a worn looking piece of paper with title and author on top and bottom of cover

Things to Do in Hell

Book cover featuring grey background with painted abstract artwork resembling a flower taking up the center with the title overlayed

Perennial

Book cover featuring redacted words surrounding the title and author in a typed document style.

Safe Houses I Have Known

Book Cover of "Analog Days" featuring neutral gray squares on a white background.

Analog Days

Cover of "Coal Mountain Elementary," by Mark Nowak, which features a photo of a man in the dark, lit from behind by lamps, wearing a mining uniform.

Coal Mountain Elementary

Cover of "10 Mississippi" by Steve Healey with multi-colored boxes of still water images.

10 Mississippi

Cover of "The Cry of the Sloth," by Sam Savage, which shows an illustration of a black typewriter against an orange background.

The Cry of the Sloth

Cover of "Let's Not Keep Fighting the Trojan War," by Edward Sanders, which features a black and white image of half a mustachioed man's face and upper body, as well as blue and green splotches of color behind him.

Let's Not Keep Fighting the Trojan War

Cover of "Ripple Effect," by Elaine Equi, which has a lime green background and swirling red ribbons in the foreground.

Ripple Effect

Cover of "Isle of the Signatories," by Marjorie Welish, which shows signatures and writing in blue ink, but the writing and signatures have been inversed, so they are not readable.

Isle of the Signatories

Cover of "Find the Girl," by Lightsey Darst, featuring a blurred image of police yellow tape.

Find the Girl

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "Earthling," by Steve Healey, which includes a geometric equation, a spine, and the shadowy figure of a person in the background.

Earthling

Cover of "Open Line," by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue.

Open Line

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

Cover of "Becoming Weather," by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper.

Becoming Weather

Cover of "Saltwater Empire," by Raymond McDaniel, which shows an illustration of a dilapidated white house with the shadow a weather vane on the wall.

Saltwater Empire

Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

The First Flag

Cover of Sarah Fox's "Because Why," with swirling colors of blues, greens, reds, and purples.

Because Why

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