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For Cold Brew Summer Sale

516 products

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

Cover of "Nice To See You: Homage to Ted Berrigan," edited by Anne Waldman, which features a blue background with an illustration of a man with long hair wearing glasses done in black ink and covered in a bright yellow.

Nice to See You: Homage to Ted Berrigan

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

Necessary Distance

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Lunar Follies," by Gilbert Sorrentino, which focuses on the image of a bench in some sort of gallery, as well as the blurred images of three bodiless shadows.

Lunar Follies

Cover of "Jealous Witness," by Andrei Codrescu, which features oil paint that has been smeared around and created muted colors of brown, yellow, and blue.

Jealous Witness

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

Exhibit of Forking Paths

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

Easter Sunday

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Desire," by Lindsay Ahl, depicting an inky tree and its roots on a scroll of yellow and blue.

Desire

Cover of "Decoy," by Elaine Equi, focusing on a black and white image of the the back half of someone's head while they look at an empty notebook.

Decoy

Alternate Histories

Cover of "Dancing on Main Street," by Lorenzo Thomas, featuring two abstract faces drawn on to a green background, and several smaller abstract bodies drawn above them in an orange header.

Dancing on Main Street

Book cover featuring a black and white image of a city at night in motion with the title and author in blue and white bold text on the top and bottom

American Heaven

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

Corvus

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Angel Strings," by Gary Eberle featuring an abstract guitar painted in drab colors, with flowers with eyeballs in the center.

Angel Strings

Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

Angel de la Luna and the 5th Glorious Mystery

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