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For Cold Brew Summer Sale

520 products

Book cover featuring title in magenta text over a background of worn sandpaper

Vertigo

Cover of "'66 Frames" by Gordon Ball with a black and white photo of a man.

’66 Frames

Book cover featuring image of red figure holding weapons facing another figure made out of leaves on a grassy road

Transcircularities

book cover featuring image pink geometric cubes outlined in white. The borders of the image have faded from excessive scratching. Title and author in white text on top and bottom of image

The Steel Veil

Cover of "The Price of Eggs," by Anne Panning, featuring a drawing of a woman holding a shattered egg that is running red, multiple broken eggs around her, and a portrait of a family ripped in half sitting on her lap.

The Price of Eggs

Cover of "The Play and Other Stories," by Stephen Dixon, featuring an illustration of two disembodied people holding shovels in holes along the beach.

The Play and Other Stories

Cover of "The More You Ignore Me," by Travis Nichols, which has horizontal stripes of different colors and the text is in a cartoonish font.

The More You Ignore Me

Cover of "The Man in the Cardboard Mask," by Alvin Greenberg, which features an illustration of a man's face in black ink and minimal detail.

The Man in the Cardboard Mask

Cover of "The Last Communist Virgin," by Wang Ping, which shows an image of a woman turned away from the viewer to expose the three stars tattooed on the back of her shoulder as she looks at a brick wall.

The Last Communist Virgin

Cover of "The Cloud of Knowable Things," by Elaine Equi, showing a city sky line against a gray sky with one cartoon cloud floating above.

The Cloud of Knowable Things

Cover of "The Abyss of Human Illusion," by Gilbert Sorrentino, which features a photograph of a black bowler hat with a white feather sticking out of the side sitting on top of a glass counter.

The Abyss of Human Illusion

Cover of "Testify," by Joseph Lease, which shows an image of a chain link fence that is colored in shades of orange and blue and contains a chain and padlock.

Testify

Cover of "Surface Tension," by Elaine Equi, which features cross-hair lines and scribbles in a shade of teal with a background of light blue.

Surface Tension

Cover of "Starred Wire," by Ange Mlinko, which has a colored drawing of a mountain and a cloudy sky.

Starred Wire

Cover of "Sleep," by Stephen Dixon, which features a photograph of two people's feet with the rest of their bodies hidden under a white sheet.

Sleep

Cover of "Red Beans," by Victor Hernández Cruz, which has the image of a black lace fan inlaid with white abstract designs, and in the background there is an orange lattice design, and half of a guitar that has black and white swirls.

Red Beans

Cover of "Prayers of an Accidental Nature," by Debra Di Blasi, which features an illustration of a person's hand laying on a tiled floor surrounding by maple leaves.

Prayers of an Accidental Nature

Cover of the collection LGBTQ Nonfiction, highlighting six titles; "Borealis", "Time Is The Thing A Body Moves Through", "Mean", "Madder", "Socialist Realism", and "Brown Neon".

LGBTQ+ Nonfiction

Cover of "Panoramas," by Victor Hernández Cruz, which features an illustration of two wicker chairs, gray mountains, a yellow wall with arches, and a solid blue sky.

Panoramas

Cover of "Outlying Districts," by Anselm Hollo, which has several geometric shapes colored in purple, teal, white, and black.

Outlying Districts

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

Our Sometime Sister

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

Necessary Distance

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Losing Absalom," by Alexs Pate, which shows several characters drawn in dark colors in various poses, as well as red wall and a staircase leading to a blue door. There is also a small graveyard next to the staircase that contains many small tombstones.

Losing Absalom

Cover of "Little Casino," by Gilbert Sorrentino, which shows a red door next to a purple wall panel; and on that panel there are several buttons that are labeled, a little slot, and a handle.

Little Casino

Cover of "Kind One," by Laird Hunt, which shows a hand holding a red string tied to a brass key.

Kind One

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

Guests of Space

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

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