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Deep Cuts

Celebrate Coffee House Press' Deep Cuts! Get these literary gems at a major discount ALL OCTOBER LONG! Discount automatically applied at checkout.

1-2 Books: 17% OFF | 3-5 Books: 26% OFF | 6+ Books: 31% OFF

Deep Cuts

274 products

Book cover featuring blurred image of the corner of a red car rushing down a road with the blurry sky and greenery beside it

White Palazzo

book cover featuring black background with a black and white film reel going up the right side with images of people holding a yellow microphone at different angles

Voice-Over

book cover featuring a black background and door opening into orange negative space with a orange key next to it with the title written along the body of the key

Unlocking the Exits

book cover featuring orange blocks on blue background with title in white text on left and carved image of houses and a tree with a bird on the right

Unfinished Building

book cover featuring two halves the left being a burnt orange with the title and the right being a black and white image of a Black woman standing against a beidge background

The Weather That Kills

book cover featuring image of a green field with a white line spray painted diagonally through it. Title and author in white text centered on image.

The Spoils

book cover featuring drawing within a purple border of a man and a woman embracing outside with a tree and the sun in the distant background

The Samaritan Treasure

Cover of "The Mountain in the Sea," by Victor Hernández Cruz, which shows an image of a red sand desert and a blue sky with grey clouds.

The Mountain in the Sea

Cover of "The Mermaid That Came Between Them," by Carol Ann Sima, featuring an illustration done in black and white of an ocean with a large fish's tale emerging from the waves.

The Mermaid That Came Between Them

Cover of "The Man in the Cardboard Mask," by Alvin Greenberg, which features an illustration of a man's face in black ink and minimal detail.

The Man in the Cardboard Mask

Cover of "The Magic Whip," by Wang Ping, featuring a photograph of a woman in a magenta robe braiding her long, dark hair.

The Magic Whip

Cover of "The Lion's Share," by Rochelle Ratner, showing a drawing of a woman in a blue dress sitting in a chair and holding a lion cub in her lap.

The Lion's Share

Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

The First Flag

Cover of "The Eros Conspiracy," by Greg Hewett, featuring a photo of the upper right side of a man's body overlaid with white text.

The Eros Conspiracy

Cover of "The Cockfighter," by Frank Manley, showing a desaturated image of a small child holding a rooster.

The Cockfighter

Cover of "The Architecture of Language," by Quincy Troupe, featuring geometric swirls and shapes in various colors against a black background.

The Architecture of Language

Cover of "Taking The Wall," by Jonis Agee, which shows a photograph of a young woman wearing a crown and a sash standing in front of a lawn chairs.

Taking the Wall

Cover of "Sesame," by Jack Marshall, which focuses on half of the cover in a shade of dark blue with the other half in black with a small circle of white flecks that spreads across that half.

Sesame

Cover of "Saltwater Empire," by Raymond McDaniel, which shows an illustration of a dilapidated white house with the shadow a weather vane on the wall.

Saltwater Empire

Cover of "Red Suburb," by Greg Hewett, which features the very blurred image of two people in a convertible, one in the driver's seat, and one behind holding on to them.

Red Suburb

Cover of "Portrait and Dream," by Bill Berkson, which focuses on an illustration of a shaft of sunlight coming through a slanted window.

Portrait and Dream

Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

Pick Up the House

Cover of "Pages from a Scrapbook of Immigrants: A Journey in Poems," by Morton Marcus, which features an illustration of a man with a long beard wearing a trench coat seated in front of some sort of religious building.

Pages from a Scrapbook of Immigrants: A Journey in Poems

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

Our Sometime Sister

Cover of "One Thing That Can Save Us," by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background.

One Thing That Can Save Us

Cover of "On the Planet without Visa," by Sotère Torregian, which features an illustration of a desert and a blue sky, as well as a statute of a woman's head laying in the sand.

On the Planet without Visa

Cover of "Niagara," by Richard Watson, which shows an illustration of a large waterfall as well as a dusky sky.

Niagara

Cover of "Millennium Fever," by Jack Marshall, which features a bright blue background that fades into shades of purple and yellow and above these colors lays a geometric pattern in solid black.

Millennium Fever

Cover of "Living Will," by David Hilton, showing an image of a path through a field and a tree in the background that is partially covered by fog.

Living Will

Cover of "In the Builded Place," by Michael Heller, which shows a black and white sketch of a city at night, with the only color coming from the yellow street lamp. There is also the figure of a person standing on the sidewalk across from said street lamp.

In the Builded Place

Cover of "How To Accommodate Men," by Marilyn Krysl, which features the image of a woman in a bikini lying on her side and shading her eyes. Above her is the image of an atomic bomb blowing up, which is shaded in red.

How to Accommodate Men

Cover of "How Long," by Ron Padgett, featuring the legs of a person wearing pinstriped pants and white sneakers standing on top of a cracked floor that has various shaped and colors on it.

How Long

Cover of "How I Learned," by Gloria Frym, which shows a black and white image of an old school room, complete with desks, chairs, and a blackboard.

How I Learned

Cover of "Handling Destiny," by Adrian Castro, which has an image of a rising sun, as well as an overlay of silhouetted people standing side by side in several rows diagonally.

Handling Destiny

Cover of "Green is for World," by Juliana Leslie, focusing on the image of several scraps of paper in various shades of blues, greens, and whites.

Green Is for World

Cover of "Gorgeous Chaos," by Jack Marshall, which shows vivid colors of the rainbow in the style of a thermogram.

Gorgeous Chaos

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