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Deep Cuts

Celebrate Coffee House Press' Deep Cuts! Get these literary gems at a major discount ALL OCTOBER LONG! Discount automatically applied at checkout.

1-2 Books: 17% OFF | 3-5 Books: 26% OFF | 6+ Books: 31% OFF

Deep Cuts

278 products

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The Magic Whip

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The Lion's Share

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The First Flag

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The Eros Conspiracy

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The Cockfighter

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The Cloud of Knowable Things

The Architecture of Language

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Taking the Wall

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Sesame

Cover of "Saltwater Empire," by Raymond McDaniel, which shows an illustration of a dilapidated white house with the shadow a weather vane on the wall.

Saltwater Empire

Cover of "Red Suburb," by Greg Hewett, which features the very blurred image of two people in a convertible, one in the driver's seat, and one behind holding on to them.

Red Suburb

Cover of "Portrait and Dream," by Bill Berkson, which focuses on an illustration of a shaft of sunlight coming through a slanted window.

Portrait and Dream

Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

Pick Up the House

Cover of "Outlying Districts," by Anselm Hollo, which has several geometric shapes colored in purple, teal, white, and black.

Outlying Districts

Cover of "Pages from a Scrapbook of Immigrants: A Journey in Poems," by Morton Marcus, which features an illustration of a man with a long beard wearing a trench coat seated in front of some sort of religious building.

Pages from a Scrapbook of Immigrants: A Journey in Poems

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

Our Sometime Sister

Cover of "One Thing That Can Save Us," by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background.

One Thing That Can Save Us

Cover of "On the Planet without Visa," by Sotère Torregian, which features an illustration of a desert and a blue sky, as well as a statute of a woman's head laying in the sand.

On the Planet without Visa

Cover of "Niagara," by Richard Watson, which shows an illustration of a large waterfall as well as a dusky sky.

Niagara

Cover of "Millennium Fever," by Jack Marshall, which features a bright blue background that fades into shades of purple and yellow and above these colors lays a geometric pattern in solid black.

Millennium Fever

Cover of "Losing Absalom," by Alexs Pate, which shows several characters drawn in dark colors in various poses, as well as red wall and a staircase leading to a blue door. There is also a small graveyard next to the staircase that contains many small tombstones.

Losing Absalom

Cover of "Living Will," by David Hilton, showing an image of a path through a field and a tree in the background that is partially covered by fog.

Living Will

Cover of "Little Casino," by Gilbert Sorrentino, which shows a red door next to a purple wall panel; and on that panel there are several buttons that are labeled, a little slot, and a handle.

Little Casino

Cover of "Kind One," by Laird Hunt, which shows a hand holding a red string tied to a brass key.

Kind One

Cover of "it was today," by Andrei Codrescu, which shows a tiny painting of a man lounging on a couch with a drink and a cigarette, and this painting is held up by a bodiless hand.

it was today

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

Cover of "In the Builded Place," by Michael Heller, which shows a black and white sketch of a city at night, with the only color coming from the yellow street lamp. There is also the figure of a person standing on the sidewalk across from said street lamp.

In the Builded Place

Cover of "How To Accommodate Men," by Marilyn Krysl, which features the image of a woman in a bikini lying on her side and shading her eyes. Above her is the image of an atomic bomb blowing up, which is shaded in red.

How to Accommodate Men

Cover of "How Long," by Ron Padgett, featuring the legs of a person wearing pinstriped pants and white sneakers standing on top of a cracked floor that has various shaped and colors on it.

How Long

Cover of "How I Learned," by Gloria Frym, which shows a black and white image of an old school room, complete with desks, chairs, and a blackboard.

How I Learned

Cover of "Handling Destiny," by Adrian Castro, which has an image of a rising sun, as well as an overlay of silhouetted people standing side by side in several rows diagonally.

Handling Destiny

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

Guests of Space

Cover of "Green is for World," by Juliana Leslie, focusing on the image of several scraps of paper in various shades of blues, greens, and whites.

Green Is for World

Cover of "Gorgeous Chaos," by Jack Marshall, which shows vivid colors of the rainbow in the style of a thermogram.

Gorgeous Chaos

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "From Baghdad to Brooklyn," by Jack Marshall, which shows a grainy photo of a small child smiling while wearing a yellow blanket on their head.

From Baghdad to Brooklyn

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