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Deep Cuts

Celebrate Coffee House Press' Deep Cuts! Get these literary gems at a major discount ALL OCTOBER LONG! Discount automatically applied at checkout.

1-2 Books: 17% OFF | 3-5 Books: 26% OFF | 6+ Books: 31% OFF

Deep Cuts

274 products

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

Necessary Distance

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Losing Absalom," by Alexs Pate, which shows several characters drawn in dark colors in various poses, as well as red wall and a staircase leading to a blue door. There is also a small graveyard next to the staircase that contains many small tombstones.

Losing Absalom

Cover of "Little Casino," by Gilbert Sorrentino, which shows a red door next to a purple wall panel; and on that panel there are several buttons that are labeled, a little slot, and a handle.

Little Casino

Cover of "Kind One," by Laird Hunt, which shows a hand holding a red string tied to a brass key.

Kind One

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

Guests of Space

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

Exhibit of Forking Paths

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Decoy," by Elaine Equi, focusing on a black and white image of the the back half of someone's head while they look at an empty notebook.

Decoy

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

Corvus

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of "Certain People," by Roberta Allen, with yellow rocking chair and broom as the focal point within a black and white room.

Certain People

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

Cover of "Breakers," by Paul Violi, in all blue with a focus on sea creatures in the center in a lighter blue.

Breakers

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

Cover of "Becoming Weather," by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper.

Becoming Weather

Cover of "Angel Strings," by Gary Eberle featuring an abstract guitar painted in drab colors, with flowers with eyeballs in the center.

Angel Strings

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