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Deep Cuts

Celebrate Coffee House Press' Deep Cuts! Get these literary gems at a major discount ALL OCTOBER LONG! Discount automatically applied at checkout.

1-2 Books: 17% OFF | 3-5 Books: 26% OFF | 6+ Books: 31% OFF

Deep Cuts

274 products

Cover of "Friends in the World: The Education of a Writer," by Aram Saroyan, which includes geometric shapes, abstract images of people, and a yellowish-colored background.

Friends in the World: The Education of a Writer

Cover of "Find the Girl," by Lightsey Darst, featuring a blurred image of police yellow tape.

Find the Girl

Cover of "Extraordinary Renditions," by Andrew Ervin, which focuses on an old yellow car covered in snow and parked in front of a building covered in graffiti.

Extraordinary Renditions

Cover of "Earthling," by Steve Healey, which includes a geometric equation, a spine, and the shadowy figure of a person in the background.

Earthling

Cover of "Earliest Worlds," by Eleni Sikelianos, which features a window looking out towards a few buildings, and this window is also bordered by green and orange colors.

Earliest Worlds

Cover of "Cross Worlds," edited by Anne Waldman and Laura Wright, which features a black and white photo of a group of people, excluding their heads, and it also contains green, orange, and red rectangles containing text.

Cross Worlds: Transcultural Poetics

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

Body Clock

Cover for Quincy Toupe's "Avalanche," featuring a sketched figure playing a horn which releases a black swirling mass.

Avalanche

Cover of "All Fall Down," By Mary Caponegro, with a black background, three silhouetted birds, and a clear blue sky in the distance.

All Fall Down

Cover of Jonis Agee's "Acts of Love on the Indigo Road," with a stormy sky and a dirt road in between two green fields.

Acts of Love on Indigo Road

book cover featuring faded imagery of book pages with an image of a building in the center surrounded by title and authors in black text

Twelve Branches

Cover of "The Old Ballerina," by Ellen Cooney, featuring a blurry image of a woman wearing a black leotard in a ballet pose.

The Old Ballerina

Cover of "The Man Who Swam with Beavers," by Nancy Lord, which is bordered by an illustration of tree branches, contains a painting of a foggy forest, and within this forest there is a streetlight, road sign, and a telephone.

The Man Who Swam with Beavers

Cover of "The Lakestown Rebellion," by Kristin Lattany, featuring a saturated image of a construction sign reading 'Road Construction Ahead'.

The Lakestown Rebellion

Cover of "The Hebrew Tutor of Bel Air," by Allan Appel, showing a light blue wall and arms that are dangling over the edge.

The Hebrew Tutor of Bel Air

Cover of "The Chinaman Pacific & Frisco R.R. Co.," by Frank Chin, which shows an illustration of a man wearing lime green overalls, a bright pink shirt, and a yellow hat, holding a bucket and standing in front of a train.

The Chinaman Pacific & Frisco R.R. Co.

Cover of "That Kind of Sleep," by Susan Atefat-Peckham, which features a mandala design in shades of blue, green, red, and yellow set against a silky blue backdrop.

That Kind of Sleep

Cover of "Surfaces and Masks," by Clarence Major, which shows abstract drawings of doors and a wall, as well as windows, all in shades of blue, black, and yellow.

Surfaces and Masks

Cover of "Spiral Trace," by Jack Marshall, which shows swirling blue lights circling around a black hole.

Spiral Trace

Cover of "Special Powers and Abilities," by Raymond McDaniel, which shows a portion of the Periodic Table of Elements in red and blue.

Special Powers and Abilities

Cover of "Some of Her Friends That Year," by Maxine Chernoff, which shows 11 illustrations of different women in various poses. These are highlighted by blue, green, and yellow shades.

Some of Her Friends That Year

Cover of "Sing This One Back to Me," by Bob Holman, which features a desaturated image of a man yelling, as well as bold red and green text that fills up the rest of the cover.

Sing This One Back To Me

Cover of "Secret Weapon," by Eugen Jebeleanu, which features a desaturated photograph of a man with down cast eyes.

Secret Weapon

Cover of "Savings," by Linda Hogan, which features an illustration of a blue fish swallowing something.

Savings

Cover of "Sari of the Gods," by G.S. Sharat Chandra, which shows an illustration of a woman wearing a blue and purple sari standing in front of a city with tall buildings.

Sari of the Gods

Cover of "Revenants," by Mark Nowak, which features a photograph of a statue of a humanoid figure with angular objects overlapping behind him.

Revenants

Cover of "Ray of the Star," by Laird Hunt, which shows the indistinct of a bronze statue in a hunched pose.

Ray of the Star

Cover of "Open Line," by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue.

Open Line

Cover of "Off-Season City Pipe," by Allison Adelle Hedge Coke, which features an image of a body of water lit by moonlit and a dark sky.

Off-Season City Pipe

Cover of "Of Flesh & Spirit," by Wang Ping, which shows the image of a lotus flower in a distorted yellow color.

Of Flesh & Spirit

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

Cover of "Nice To See You: Homage to Ted Berrigan," edited by Anne Waldman, which features a blue background with an illustration of a man with long hair wearing glasses done in black ink and covered in a bright yellow.

Nice to See You: Homage to Ted Berrigan

Cover of "Lunar Follies," by Gilbert Sorrentino, which focuses on the image of a bench in some sort of gallery, as well as the blurred images of three bodiless shadows.

Lunar Follies

Cover of "In the Shadow of Al-Andalus," by Victor Hernández Cruz, which features a chair holding a white hat and a checkered, multi-colored wall behind it.

In the Shadow of Al-Andalus

Cover of "In the Room of Never Grieve," by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her.

In The Room of Never Grieve

Cover of "Hold It 'Til It Hurts," by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface.

Hold It 'Til It Hurts

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