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Deep Cuts

Celebrate Coffee House Press' Deep Cuts! Get these literary gems at a major discount ALL OCTOBER LONG! Discount automatically applied at checkout.

1-2 Books: 17% OFF | 3-5 Books: 26% OFF | 6+ Books: 31% OFF

Deep Cuts

274 products

Cover of "The Alligator Report," by W.P. Kinsella, which shows an illustration of an alligator resting on the top of a blue Cadillac.

The Alligator Report

Cover of "Somewhere Else," by Matthew Shenoda, which has a water-stained paper background with a piece of cardboard in the lower left corner containing some letters.

Somewhere Else

Cover of "Sleight," by Kirsten Kaschock, which shows the inside of a box that has been woven through with paper containing letters, as well as a few pieces of string hanging down from the top of the box, and a broken silhouette of a person.

Sleight

Cover of "Screaming Monkeys," which shows a small illustration of a stick figure man with a detailed head and face, and the rest of the cover is in black and yellow.

Screaming Monkeys

Cover of "Rough, and Savage," by Sun Yung Shin, which features the illustration of a black, winged reptilian creature.

Rough, and Savage

Cover of "Ripple Effect," by Elaine Equi, which has a lime green background and swirling red ribbons in the foreground.

Ripple Effect

Cover of "Murder (a violet)," by Raymond McDaniel, which features wavering lines in blues, reds, whites, blacks, and yellows.

Murder (a violet)

Cover of "Let the Dark Flower Blossom," by Norah Labiner, featuring an image of a field covered in snow and a cluster of bare-limbed trees.

Let the Dark Flower Blossom

Cover of "Let's Not Keep Fighting the Trojan War," by Edward Sanders, which features a black and white image of half a mustachioed man's face and upper body, as well as blue and green splotches of color behind him.

Let's Not Keep Fighting the Trojan War

Cover of "Hotel Lambosa," which has a sketched illustrations of a woman holding a small child and a man leaning towards them from the side. They are all colored in muted pastels and the border of the cover is in a turquois blue.

Hotel Lambosa

Cover of "Horse, Flower, Bird," by Kate Bernheimer, featuring a blue creature; the body of an ostrich, the head of a woman, and feathers in the shape of a large flower.

Horse, Flower, Bird

Cover of "Garden Primitives," by Danielle Sosin, which features a close up image of a the wings and body of a green moth.

Garden Primitives

Cover of "Errançities," by Quincy Troupe, featuring an aerial shot of what looks like a city market.

Errançities

Cover of "Drowning Tucson," which is a photo of the back entrance of a house, with a dumpster, a lit porch lamp, and a staircase.

Drowning Tucson

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

Crossing Three Wildernesses

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

Bleed Through

Cover of "A Strange Commonplace," by Gilbert Sorrentino, featuring a black and white dartboard with a red bullseye.

A Strange Commonplace

The cover of "A .38 Special and a Broken Heart" featuring a black background and a pair of cowboy boots covered in hearts and thorny roses.

A .38 Special and a Broken Heart

book cover featuring white background with blue streaks of paint from the left side and title and author in minimal text on the right

Word Group

book cover featuring imagery of news clippings, horses, and images of Native Americans in the center with the title and author on the border in a scrapbook fashion

Visit Teepee Town: Native Writings After the Detours

book cover featuring a large drawing of a woman with red hair in a blue gown holding onto the side of a building while while smaller people on the sidewalk look and point up at her

Verging on the Pertinent

book cover featuring the title in orange text on a blue rectangle in the upper left corner of orange background

To and For

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

The Marvelous Bones of Time

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "The Exquisite," by Laird Hunt, featuring a closeup of a human eye that is blueish green with a golden rim around the pupil.

The Exquisite

Cover of "The Cotillion," by John Oliver Killens, which features a blue filtered photo of a Black man and woman looking out a window.

The Cotillion

Cover of "The Banquet," by Kenneth Koch, which shows several people standing on a stage in various poses and costumes.

The Banquet

Cover of "Portrait of the Walurs By A Young Artist," by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza.

Portrait of the Walrus by a Young Artist

Cover of "Maraca," by Victor Hernández Cruz, which shows an image of several maracas that have green, white, red, and black on them.

Maraca

Cover of "Leche," by R. Zamora Linmark, which shows a little toy vehicle etched with 'Philippines' on it, and the toy is positioned on a colorful rug.

Leche

Cover of "It Will End with Us," by Sam Savage, which features the image of a forest trail at dusk and many gnarled and creepy-looking trees.

It Will End with Us

Cover of "Isle of the Signatories," by Marjorie Welish, which shows signatures and writing in blue ink, but the writing and signatures have been inversed, so they are not readable.

Isle of the Signatories

Cover of "Irish Musicians/American Friends," by Terence Winch, which features a black and white photograph of a band holding their instruments. There is also a small four leaf clover and the top of the cover, and a small American flag at the bottom of the cover.

Irish Musicians/American Friends

Cover of "In The Futurity Lounge," by Marjorie Welish, which has a bright orange background that has been inlaid with the praise of the book.

In the Futurity Lounge

Cover of "Glory Goes and Gets Some," by Emily Carter, which features a black and white image of a woman's eyebrow, eye, and a small portion of her hair is seen.

Glory Goes and Gets Some

Cover of "German for Travelers: A Novel in 95 Lessons," by Norah Labiner, which features a black and white photo of two young girls wearing dresses and standing on some sort of drift wood.

German for Travelers: A Novel in 95 Lessons

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