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Poetry

210 products

Cover of "Comrade Past & Mister Present," by Andrei Codrescu, which is a blue and red print with two silhouetted figures in the foreground.

Comrade Past & Mister Present

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Cover of "Coal Mountain Elementary," by Mark Nowak, which features a photo of a man in the dark, lit from behind by lamps, wearing a mining uniform.

Coal Mountain Elementary

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of "Click and Clone," by Elaine Equi, featuring a silhouetted sheep within a cartoon sun.

Click and Clone

Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

Civil Disobediences

Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

Choruses

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Cover of "Cantos To Blood & Honey," by Adrian Castro, featuring black and red and sketches of different icons.

Cantos to Blood & Honey

Cover of Michael Lally's "Cant Be Wrong," with half the cover in green and the other side featuring a black and white image of a man.

Cant Be Wrong

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

Cover of "Breakers," by Paul Violi, in all blue with a focus on sea creatures in the center in a lighter blue.

Breakers

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

Body Clock

Cover of Patricia Smith's "Blood Dazzler," portraying the image of a hurricane off the coast.

Blood Dazzler

Cover of "Blindsight," by Greg Hewett, focusing on different sizes and colors of rectangles. Colors range from purple, pink, and yellow.

Blindsight

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

Bleed Through

Cover of "Becoming Weather," by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper.

Becoming Weather

Cover of Sarah Fox's "Because Why," with swirling colors of blues, greens, reds, and purples.

Because Why

Cover of the anthology "Beats at Naropa" with the title in a yellow rectangle, the names of the authors in a vertical red column, and the name of the editors at the bottom in a blue rectangle. The center of the cover features four people in black and white.

Beats at Naropa

Cover for Quincy Toupe's "Avalanche," featuring a sketched figure playing a horn which releases a black swirling mass.

Avalanche

Cover of "Arabian Nights," by Jack Marshall, featuring a pastel drawing of a window looking at the rising moon and bordered by red curtains.

Arabian Nights

Cover of "And the Word," by Cid Corman, with a red background, the title letters in a white, and the complete alphabet bordering the title in black.

And the Word

Cover of Ron Padgett's "Alone and Not Alone," with a Pinocchio-like sketch illustration.

Alone and Not Alone

Cover of "A VIsit From St. Alphabet," by Dave Morice, featuring a Santa figure riding a sleigh in the shape of an "A" pulled by reindeer shaped as the letter "B."

A Visit from St. Alphabet

Cover of "A Toast in The House of Friends," by Akilah Oliver, with a photograph of a sunset or sunrise in the background and silhouetted trees in the foreground.

A Toast in the House of Friends

Cover of "A Long Way From St. Louie" by Collen J. McElroy, with a dark blue background and orange flowers, as well as the back of a lady dressed in orange wearing a large orange hat.

A Long Way from St. Louie

Cover image of Brenda Coultas's "A Handmade Museum" with a blue and green colors and a chain-link fence in the background, as well as a focus on graffitied walls.

A Handmade Museum

Cover of "87 North" by Michael Coffey, includes a green map within an arrow shape that points up.

87 North

Cover of "10 Mississippi" by Steve Healey with multi-colored boxes of still water images.

10 Mississippi

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