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Poetry

209 products

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Sacred Vows

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Routine Disruptions

Rounding the Human Corners

Rough, and Savage

Ripple Effect

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Revenants

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Returning a Borrowed Tongue: An Anthology of Filipino & Filipino American Poetry

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Red Suburb

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Red Beans

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Psychedelic Norway

Prelude to Bruise

Portrait and Dream

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Pick Up the House

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Panoramas

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Pages from a Scrapbook of Immigrants: A Journey in Poems

Outlying Districts

Cover of "On the Planet without Visa," by Sotère Torregian, which features an illustration of a desert and a blue sky, as well as a statute of a woman's head laying in the sand.

On the Planet without Visa

Cover of "Off-Season City Pipe," by Allison Adelle Hedge Coke, which features an image of a body of water lit by moonlit and a dark sky.

Off-Season City Pipe

Cover of "Of Flesh & Spirit," by Wang Ping, which shows the image of a lotus flower in a distorted yellow color.

Of Flesh & Spirit

Cover of "Null Set," by Ted Mathys, which focuses on the image of a white brick wall and green grass below it.

Null Set

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

Cover of "Nice To See You: Homage to Ted Berrigan," edited by Anne Waldman, which features a blue background with an illustration of a man with long hair wearing glasses done in black ink and covered in a bright yellow.

Nice to See You: Homage to Ted Berrigan

Cover of "Murder (a violet)," by Raymond McDaniel, which features wavering lines in blues, reds, whites, blacks, and yellows.

Murder (a violet)

Cover of "Moment's Notice: Jazz in Poetry & Prose," which features a black and white image of the back side of a man playing a piano.

Moment's Notice: Jazz in Poetry and Prose

Cover of "Millennium Fever," by Jack Marshall, which features a bright blue background that fades into shades of purple and yellow and above these colors lays a geometric pattern in solid black.

Millennium Fever

Cover of "Margaret & Dusty," by Alice Notley, which features a close-up photo in black and white of a woman's face.

Margaret & Dusty

Cover of "Maraca," by Victor Hernández Cruz, which shows an image of several maracas that have green, white, red, and black on them.

Maraca

Cover of "Make Yourself Happy," by Eleni Sikelianos, which shows a blurry image of a crowd of people, some with hands raised, others with cameras out, and there is also a drum flying through the air above the crowd.

Make Yourself Happy

Cover of "Living Will," by David Hilton, showing an image of a path through a field and a tree in the background that is partially covered by fog.

Living Will

Cover of "Let's Not Keep Fighting the Trojan War," by Edward Sanders, which features a black and white image of half a mustachioed man's face and upper body, as well as blue and green splotches of color behind him.

Let's Not Keep Fighting the Trojan War

Cover of "Legends from Camp," by Lawson Fusao Inada, which features a black and white photo of a man, woman, and a little boy, and the rest of the cover is a bright red.

Legends from Camp

Cover of "Jealous Witness," by Andrei Codrescu, which features oil paint that has been smeared around and created muted colors of brown, yellow, and blue.

Jealous Witness

Cover of "it was today," by Andrei Codrescu, which shows a tiny painting of a man lounging on a couch with a drink and a cigarette, and this painting is held up by a bodiless hand.

it was today

Cover of "Isle of the Signatories," by Marjorie Welish, which shows signatures and writing in blue ink, but the writing and signatures have been inversed, so they are not readable.

Isle of the Signatories

Cover of "Irish Musicians/American Friends," by Terence Winch, which features a black and white photograph of a band holding their instruments. There is also a small four leaf clover and the top of the cover, and a small American flag at the bottom of the cover.

Irish Musicians/American Friends

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

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