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Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

Angel de la Luna and the 5th Glorious Mystery

Cover of "Angel Strings," by Gary Eberle featuring an abstract guitar painted in drab colors, with flowers with eyeballs in the center.

Angel Strings

Cover of "Anime Wong," by Karen Tei Yamashita, with a very abstract face on yellow/brown paper.

Anime Wong

Cover of "Arabian Nights," by Jack Marshall, featuring a pastel drawing of a window looking at the rising moon and bordered by red curtains.

Arabian Nights

Cover of "At the Lightning Field," by Laura Raicovich, including blues, pinks, and grays, as well as bar graphs at the bottom and middle of the page.

At the Lightning Field

Book cover for 'Audition' by Pip Adam featuring abstract artistic representations of characters and celestial bodies on a blue background.

Audition

Cover of "Autopsy of an Engine," by Lolita Hernandez, featuring the front bumper of a red Cadillac, the Cadillac emblem, and the metallic grill.

Autopsy of an Engine

Cover for Quincy Toupe's "Avalanche," featuring a sketched figure playing a horn which releases a black swirling mass.

Avalanche

Book cover of a shaded grey background with the title and author in white and black chalky text and a centered row of black and white images of a woman in a long coat

Bard, Kinetic

Book cover featuring bright green background and a drawn black and white image of two baseball players sitting next to each other in a white circle in the center

Baseball Epic: Famous and Forgotten Lives of the Dead Ball Era

Cover of the anthology "Beats at Naropa" with the title in a yellow rectangle, the names of the authors in a vertical red column, and the name of the editors at the bottom in a blue rectangle. The center of the cover features four people in black and white.

Beats at Naropa

Cover of Sarah Fox's "Because Why," with swirling colors of blues, greens, reds, and purples.

Because Why

Cover of "Becoming Weather," by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper.

Becoming Weather

Cover of "Before Elvis There Was Nothing," by Laurie Foos, featuring a white cover with a pink box containing the title. Next to it, there is a long strip of curly hair and within the curl, there is a small pink silhouette of Elvis holding a guitar.

Before Elvis There Was Nothing

Book cover featuring black and white art in a 4x5 table of white painted squares over black background. Title and author in white bold text below.

Beneath the Spanish

Book cover featuring title in creative blue text over a dark blue background with white stars speckling the cover

Betwixt-and-Between

Book cover featuring a green block in the top third of the cover with the author and title written black text and a hastily colored in black lower half of cover with a white window in the middle

Big Cabin

Book Cover featuring a red background with blue four-petaled detailing across the middle and the title and author in white font on the top and bottom of cover

Bilbao–New York–Bilbao

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

Bleed Through

Cover of "Blindsight," by Greg Hewett, focusing on different sizes and colors of rectangles. Colors range from purple, pink, and yellow.

Blindsight

Cover of Patricia Smith's "Blood Dazzler," portraying the image of a hurricane off the coast.

Blood Dazzler

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

Body Clock

Cover of "Bone Truth," by Anne Finger on a red background and small black embellishments spaced evenly apart throughout the cover.

Bone Truth

Book cover featuring deep blue background with a white translucent smear in the middle red, brown and yellow organic shapes collaged on top

Borealis

Book cover featuring image of a wooded forest canopy from above with a transparent blue circle in the middle of the image

Brazil-Maru

Cover of "Breakers," by Paul Violi, in all blue with a focus on sea creatures in the center in a lighter blue.

Breakers

book cover

Brian Evenson, New and Reissued

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

Cover of "Brightfellow," by Pikki Ducornet, featuring a photo of a sad young girl in black and white.

Brightfellow

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

Book Cover featuring a dark image of a mountainous field landscape and night sky over which the title and author is written in neon sign font

Brown Neon

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