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Cover of "Camanchaca," by Diego Zuniga which has an image of the desert that has been erased slightly, as well as a paper truck in the foreground.

Camanchaca

Cover of Michael Lally's "Cant Be Wrong," with half the cover in green and the other side featuring a black and white image of a man.

Cant Be Wrong

Cover of "Cantos To Blood & Honey," by Adrian Castro, featuring black and red and sketches of different icons.

Cantos to Blood & Honey

Cover of "Captain Blackman," by John A. Williams, featuring black, green, and red-reminiscent of a flag. The cover also features a picture of a Black solider carrying a rifle.

Captain Blackman

Cover of "Cat is Art Spelled Wrong," featuring several silhouettes of cats in various poses on a white background.

Cat Is Art Spelled Wrong

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Book Cover featuring paper cut outs of two female side profiles overlapping each other

Cecilia

Cover of "Certain People," by Roberta Allen, with yellow rocking chair and broom as the focal point within a black and white room.

Certain People

Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

Choruses

Cover of "Circle K Cycles," by Karen Tei Yamashita, focusing on brightly colored images of temples, statues, and city life, as well as a drawing of a woman smiling widely.

Circle K Cycles

Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

Civil Disobediences

Cover of "Click and Clone," by Elaine Equi, featuring a silhouetted sheep within a cartoon sun.

Click and Clone

Cover of "Clifford's Blues," by John A. Williams, featuring a drawing of a Black man wearing a tuxedo and playing the piano.

Clifford's Blues

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of Allan Appel's "Club Revelation," featuring a classic diner setup with a booth as a focal point.

Club Revelation

Cover of "Coal Mountain Elementary," by Mark Nowak, which features a photo of a man in the dark, lit from behind by lamps, wearing a mining uniform.

Coal Mountain Elementary

Coffee House Tote

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Book cover featuring pink background of tissue imagery with a drawing of a person's face and an eyeball below the title

Comemadre

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Comrade Past & Mister Present," by Andrei Codrescu, which is a blue and red print with two silhouetted figures in the foreground.

Comrade Past & Mister Present

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

Corvus

Cover of "Cover Me," which has a drawing of an open door which looks into a room with two drawn figures, and the foreground has two drawn hands grasping tightly to each other.

Cover Me

Cover of Bob Kaufman's "Cranial Guitar," featuring a vague sketch of a guitar, shaded in blue with a yellow center, and the left side in a shade of bright yellow.

Cranial Guitar

Cover of "Cross Worlds," edited by Anne Waldman and Laura Wright, which features a black and white photo of a group of people, excluding their heads, and it also contains green, orange, and red rectangles containing text.

Cross Worlds: Transcultural Poetics

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

Crossing Three Wildernesses

Cover of "Crowning the Queen of Love," by Susan Welch, which features an image of a few people leaning against a bar in muted colors.

Crowning the Queen of Love

Cover of "DANCE," by Lightsey Darst which has swirling ribbons of text on paper, as well as a blue background.

DANCE

Cover of Summer Brenner's "Dancers & the Dance," focusing on sketches of four women dancing.

Dancers & the Dance

Cover of "Dancing on Main Street," by Lorenzo Thomas, featuring two abstract faces drawn on to a green background, and several smaller abstract bodies drawn above them in an orange header.

Dancing on Main Street

Book Cover featuring title in red minimal text along top and an image of brush stroke in black ink that resembles a kneeling figure

Dark Soil: Fictions and Mythographies

Cover of "Dark. Sweet.," by Linda Hogan, which features a black and white photo of a gnarled tree, a bush, and wild grass.

Dark. Sweet.

Cover of Greg Hewett's "darkacre," showcasing a window looking into another window, which shows green trees.

darkacre

Cover of "Dear Sandy, Hello," by Ted Berrigan, which showcases a colored drawing of a lady wearing glasses and a red cardigan.

Dear Sandy, Hello

Cover of "Decoy," by Elaine Equi, focusing on a black and white image of the the back half of someone's head while they look at an empty notebook.

Decoy

Cover of "Desire," by Lindsay Ahl, depicting an inky tree and its roots on a scroll of yellow and blue.

Desire

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