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Cover of "Distance & Direction," by Judith Kitchen, which is a small sketch of tall buildings with a telephone wire strung between. These sketches are done in black ink against a light yellow paper.

Distance and Direction

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Book Cover featuring blue and red paint splotches across the entire cover with the title and author written as negative space text.

Dot

Cover of "Drawing the Line," by Lawson Fusao Inada, which is colored orange on the left side, while the right side contains a painting of a mountainous landscape.

Drawing the Line

Cover of "Drowning Tucson," which is a photo of the back entrance of a house, with a dumpster, a lit porch lamp, and a staircase.

Drowning Tucson

Cover of "Earliest Worlds," by Eleni Sikelianos, which features a window looking out towards a few buildings, and this window is also bordered by green and orange colors.

Earliest Worlds

Cover of "Earthling," by Steve Healey, which includes a geometric equation, a spine, and the shadowy figure of a person in the background.

Earthling

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

Easter Sunday

Book cover featuring yellow textured cover with two images of a brown eye on the top and bottom of the title written in bold black text

Echo Tree

Book cover featuring black and white background of a crystalized substance with the title and author in yellow text overlayed

Eleanor, or, The Rejection of the Progress of Love

Book cover of 'Electric Shamans at the Festival of the Sun' by Monica Ojeda with a volcano and star design.

Electric Shamans at the Festival of the Sun

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Empty Pockets," by Dale Herd, which shows a small segment of a few different highway signs and a street lamp under a gray sky.

Empty Pockets

Book cover featuring title in white text in which you can see pieces of a map over a black background with a small set of red tree rings lined in the bottom right corner

Empty Set

Book cover featuring a blue background and the title in white typed text with the vowels replaced for asterisks and the author name in black hand-written lettering

Empty Words

Cover of Mark McMorris's "Entrepôt," which features black and gray scribbles letters that cannot be made out.

Entrepôt

Cover of "Erosion's Pull," by Maureen Owen, which focuses on the close up of a rock and all the swirling veins and colors within.

Erosion's Pull

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Cover of "Errançities," by Quincy Troupe, featuring an aerial shot of what looks like a city market.

Errançities

Cover of "Everything I Found On The Beach," by Cynan Jones, with a blue background and an black drawing of a fish stuck in a net.

Everything I Found on the Beach

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

Exhibit of Forking Paths

Book cover featuring an image of a person kneeling covered in a red hoodie with their hands showing gripping the hood

Exiles of Eden

Cover of "Expect Delays," by Bill Berkson, on a bright orange background and blue lettering for the title.

Expect Delays

Cover of "Exposed," by Cris Mazza, which has a light pink background and a black and white photo of a broken camera lens in separate pieces.

Exposed

Cover of "Extraordinary Renditions," by Andrew Ervin, which focuses on an old yellow car covered in snow and parked in front of a building covered in graffiti.

Extraordinary Renditions

Cover of "Faces in the Crowd," by Valeria Luiselli, which is looking at the inside of a subway, and the title is contained in a sticky-note.

Faces in the Crowd

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Cover of "Famous Suicides of the Japanese Empire," by David Mura, which shows long bungalow-style houses with lit windows that show different people going about their business.

Famous Suicides of the Japanese Empire

Cover of "Father of Lies," by Brian Evenson, on a burnt orange background with a sketch of the back half of some sort of beast with a tail, etched in white.

Father of Lies

Book Cover featuring a darkly lit boxing gym reflected in the mirrors on the wall and the title over the majority of the top half in blurry neon teal text

Fighting Is Like a Wife

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