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Cover of "Find the Girl," by Lightsey Darst, featuring a blurred image of police yellow tape.

Find the Girl

Cover of "Fish in Exile," by Vi Khi Nao, which has a black background and a luminescent jellyfish in the middle of the cover.

Fish in Exile

Cover of "Flickering Shadows," by Kwadwo Agymah Kamau, featuring blues and golds, bodiless hands reaching for a drum, and a mountain range in the background.

Flickering Shadows

Cover of "Floating Kingdom," by George Rabasa, which shows a painting of a woman lying on her side in bed, and on her grows a sprawling hill city.

Floating Kingdom

Book Cover of "Fog & Car" featuring geometric shapes of different colors imitating a sunset over a body of water

Fog & Car

Cover of "For Keepsies," by Gary Fincke, which features sketches of a small town and shades of blue to show the shadows.

For Keepsies

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "Forge," by Ted Mathys, which has the bottom half covered in a bright orange color that contains some texture, and the top half is pure black.

Forge

Cover of "Four Incarnations," by Robert Sward, featuring a pink rectangle in the left corner that contains the number 4, and a purple rectangle in the bottom right corner. The other two corners are black in color.

Four Incarnations

Cover of "Friends in the World: The Education of a Writer," by Aram Saroyan, which includes geometric shapes, abstract images of people, and a yellowish-colored background.

Friends in the World: The Education of a Writer

Cover of "From Baghdad to Brooklyn," by Jack Marshall, which shows a grainy photo of a small child smiling while wearing a yellow blanket on their head.

From Baghdad to Brooklyn

Cover of "Fugitive, in Full View," by Jack Marshall, which shows an image of the cosmos, with swirling nebulae and sparkling blue stars.

Fugitive, in Full View

Cover of "Fugue State," by Brian Evenson, which has smears of neutral colors and unreadable typography in the lower right corner.

Fugue State

Cover of "Garden Primitives," by Danielle Sosin, which features a close up image of a the wings and body of a green moth.

Garden Primitives

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of "Genoa," by Paul Metcalf, which shows an image of the ocean with a whale's tail coming out of the water imposed over some writing.

Genoa

Cover of "German for Travelers: A Novel in 95 Lessons," by Norah Labiner, which features a black and white photo of two young girls wearing dresses and standing on some sort of drift wood.

German for Travelers: A Novel in 95 Lessons

Gift Card

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Glass," by Same Savage, which looks on to a rainy night through a window, featured in black and white.

Glass

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Glory Goes and Gets Some," by Emily Carter, which features a black and white image of a woman's eyebrow, eye, and a small portion of her hair is seen.

Glory Goes and Gets Some

Book cover featuring gold paint across a black background with title in bold white font on top and bottom

Gold Cure

Book Cover of "Good Night, Sleep tight" featuring a black and grey image of a humanoid character peaking through web-like branches wearing bone-like armor

Good Night, Sleep Tight

Cover of "Good Stock Strange Blood," by Dawn Lundy Martin, which features notebook paper as the background, an abstract image of an octopus-looking creature, and a lurking face.

Good Stock Strange Blood

Cover of "Gorgeous Chaos," by Jack Marshall, which shows vivid colors of the rainbow in the style of a thermogram.

Gorgeous Chaos

Cover of "Green is for World," by Juliana Leslie, focusing on the image of several scraps of paper in various shades of blues, greens, and whites.

Green Is for World

Book Cover featuring an ivory ackground on which organic imagery is collaged in the center while the title and author is written along the border

Groundglass

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

Guests of Space

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Half in Shade," by Judith Kitchen, which is an black and white photograph of a lady sitting on a fence, wearing a suit, and has her feet propped on a tire.

Half in Shade

Cover of "Handling Destiny," by Adrian Castro, which has an image of a rising sun, as well as an overlay of silhouetted people standing side by side in several rows diagonally.

Handling Destiny

Book Cover of "Helen of Nowhere" featuring a paper cutout of a woman holding a red diamond kite with a string wrapping around her.

Helen of Nowhere

Cover of "Her Wild American Self." by M. Evelina Galang, featuring a drawn portrait of the author, as well as an image of a group of people of various ages in shades of red and white.

Her Wild American Self

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Hold It 'Til It Hurts," by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface.

Hold It 'Til It Hurts

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