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Cover of "The Cloud of Knowable Things," by Elaine Equi, showing a city sky line against a gray sky with one cartoon cloud floating above.

The Cloud of Knowable Things

Cover of "The Abyss of Human Illusion," by Gilbert Sorrentino, which features a photograph of a black bowler hat with a white feather sticking out of the side sitting on top of a glass counter.

The Abyss of Human Illusion

Cover of "Testify," by Joseph Lease, which shows an image of a chain link fence that is colored in shades of orange and blue and contains a chain and padlock.

Testify

Cover of "Surface Tension," by Elaine Equi, which features cross-hair lines and scribbles in a shade of teal with a background of light blue.

Surface Tension

Cover of "Starred Wire," by Ange Mlinko, which has a colored drawing of a mountain and a cloudy sky.

Starred Wire

Cover of "Sleep," by Stephen Dixon, which features a photograph of two people's feet with the rest of their bodies hidden under a white sheet.

Sleep

Cover of "Sing This One Back to Me," by Bob Holman, which features a desaturated image of a man yelling, as well as bold red and green text that fills up the rest of the cover.

Sing This One Back To Me

Cover of "Red Beans," by Victor Hernández Cruz, which has the image of a black lace fan inlaid with white abstract designs, and in the background there is an orange lattice design, and half of a guitar that has black and white swirls.

Red Beans

Cover of "Panoramas," by Victor Hernández Cruz, which features an illustration of two wicker chairs, gray mountains, a yellow wall with arches, and a solid blue sky.

Panoramas

Cover of "Outlying Districts," by Anselm Hollo, which has several geometric shapes colored in purple, teal, white, and black.

Outlying Districts

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

Necessary Distance

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Losing Absalom," by Alexs Pate, which shows several characters drawn in dark colors in various poses, as well as red wall and a staircase leading to a blue door. There is also a small graveyard next to the staircase that contains many small tombstones.

Losing Absalom

Cover of "Little Casino," by Gilbert Sorrentino, which shows a red door next to a purple wall panel; and on that panel there are several buttons that are labeled, a little slot, and a handle.

Little Casino

Cover of "Kind One," by Laird Hunt, which shows a hand holding a red string tied to a brass key.

Kind One

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

Guests of Space

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

Exhibit of Forking Paths

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Decoy," by Elaine Equi, focusing on a black and white image of the the back half of someone's head while they look at an empty notebook.

Decoy

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

Corvus

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

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