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Cover of "Of Flesh & Spirit," by Wang Ping, which shows the image of a lotus flower in a distorted yellow color.

Of Flesh & Spirit

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

Cover of "Nice To See You: Homage to Ted Berrigan," edited by Anne Waldman, which features a blue background with an illustration of a man with long hair wearing glasses done in black ink and covered in a bright yellow.

Nice to See You: Homage to Ted Berrigan

Cover of "Lunar Follies," by Gilbert Sorrentino, which focuses on the image of a bench in some sort of gallery, as well as the blurred images of three bodiless shadows.

Lunar Follies

Cover of "In the Shadow of Al-Andalus," by Victor Hernández Cruz, which features a chair holding a white hat and a checkered, multi-colored wall behind it.

In the Shadow of Al-Andalus

Cover of "In the Room of Never Grieve," by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her.

In The Room of Never Grieve

Cover of "Hold It 'Til It Hurts," by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface.

Hold It 'Til It Hurts

Cover of "Glass," by Same Savage, which looks on to a rainy night through a window, featured in black and white.

Glass

Cover of "Erosion's Pull," by Maureen Owen, which focuses on the close up of a rock and all the swirling veins and colors within.

Erosion's Pull

Sold Out

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

Easter Sunday

Cover of "Desire," by Lindsay Ahl, depicting an inky tree and its roots on a scroll of yellow and blue.

Desire

Cover of "Dear Sandy, Hello," by Ted Berrigan, which showcases a colored drawing of a lady wearing glasses and a red cardigan.

Dear Sandy, Hello

Cover of "Cross Worlds," edited by Anne Waldman and Laura Wright, which features a black and white photo of a group of people, excluding their heads, and it also contains green, orange, and red rectangles containing text.

Cross Worlds: Transcultural Poetics

Cover of Allan Appel's "Club Revelation," featuring a classic diner setup with a booth as a focal point.

Club Revelation

Cover of "Click and Clone," by Elaine Equi, featuring a silhouetted sheep within a cartoon sun.

Click and Clone

Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

Choruses

Cover of "Blindsight," by Greg Hewett, focusing on different sizes and colors of rectangles. Colors range from purple, pink, and yellow.

Blindsight

Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

Angel de la Luna and the 5th Glorious Mystery

Cover of "Among Prisoners," by Frank Manley, featuring a desert and red tinted clouds in the background and a shadowy figure behind bars in the foreground.

Among Prisoners

Cover of "American Visa," by Wang Ping, featuring a blue background and a black and white abstract image swirling around the cover.

American Visa

Cover of "A Bliss Case" by Michael Aaron Rockland, with a dark blue background featuring a circle filled with abstract shapes.

A Bliss Case

LGBTQ+ Nonfiction

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Prayers of an Accidental Nature," by Debra Di Blasi, which features an illustration of a person's hand laying on a tiled floor surrounding by maple leaves.

Prayers of an Accidental Nature

Alternate Histories

Women in Translation

book cover featuring image of the side of a person's face with their eyes closed wearing blue and pink earrings with the title in pink text in the black of the person's hair

Your Name Here

book cover featuring blurry image of a person standing on a beach facing the camera with the water behind him and the title in a handwritten text on a yellow notepaper in the bottom corner

Write Letter to Billy

Book cover featuring title in magenta text over a background of worn sandpaper

Vertigo

Book cover featuring image of red figure holding weapons facing another figure made out of leaves on a grassy road

Transcircularities

book cover featuring image pink geometric cubes outlined in white. The borders of the image have faded from excessive scratching. Title and author in white text on top and bottom of image

The Steel Veil

Cover of "The Price of Eggs," by Anne Panning, featuring a drawing of a woman holding a shattered egg that is running red, multiple broken eggs around her, and a portrait of a family ripped in half sitting on her lap.

The Price of Eggs

Cover of "The Play and Other Stories," by Stephen Dixon, featuring an illustration of two disembodied people holding shovels in holes along the beach.

The Play and Other Stories

Cover of "The More You Ignore Me," by Travis Nichols, which has horizontal stripes of different colors and the text is in a cartoonish font.

The More You Ignore Me

Cover of "The Last Communist Virgin," by Wang Ping, which shows an image of a woman turned away from the viewer to expose the three stars tattooed on the back of her shoulder as she looks at a brick wall.

The Last Communist Virgin

Cover of "The Hebrew Tutor of Bel Air," by Allan Appel, showing a light blue wall and arms that are dangling over the edge.

The Hebrew Tutor of Bel Air

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