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Fiction

234 products

Cover of "The Hope of Floating Has Carried Us This Far," by Quintan Ana Wikswo, which shows an image of a seaside partially covered by brambles and leafless branches.

The Hope of Floating Has Carried Us This Far

Cover of "The Hebrew Tutor of Bel Air," by Allan Appel, showing a light blue wall and arms that are dangling over the edge.

The Hebrew Tutor of Bel Air

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "The Gift," by Barbara Browning, featuring an illustration of a humanoid figure's chest and arms painted in shaded of blues, reds, and greens, with distorted shadowy arms beneath the image.

The Gift

Cover of "The Exquisite," by Laird Hunt, featuring a closeup of a human eye that is blueish green with a golden rim around the pupil.

The Exquisite

Cover of "The Dig," by Cynan Jones, showing jagged lines running through the title in black and white.

The Dig

Cover of "The Cry of the Sloth," by Sam Savage, which shows an illustration of a black typewriter against an orange background.

The Cry of the Sloth

Cover of "The Cotillion," by John Oliver Killens, which features a blue filtered photo of a Black man and woman looking out a window.

The Cotillion

Cover of "The Complexities of Intimacy," byMary Capongro, which shows three wooden dolls in ragged clothing standing with their arms stretched wide.

The Complexities of Intimacy

Cover of "The Collected Fiction of Kenneth Koch," which features a painting of a body of water reflecting the moonlight through a pair of trees.

The Collected Fiction of Kenneth Koch

Cover of "The Cockfighter," by Frank Manley, showing a desaturated image of a small child holding a rooster.

The Cockfighter

Cover of "The Chinaman Pacific & Frisco R.R. Co.," by Frank Chin, which shows an illustration of a man wearing lime green overalls, a bright pink shirt, and a yellow hat, holding a bucket and standing in front of a train.

The Chinaman Pacific & Frisco R.R. Co.

Cover of "The Blue Girl," by Laurie Foos, which has a pink background and an image of a moon pie above the title.

The Blue Girl

Cover of "The Banquet," by Kenneth Koch, which shows several people standing on a stage in various poses and costumes.

The Banquet

Cover of "The Baltimore Atrocities," by John Dermot Woods, which shows a cartoon illustration of a man wearing a suit and sitting on a chair while he holds a picture of someone in his hand.

The Baltimore Atrocities

Cover of "The Alligator Report," by W.P. Kinsella, which shows an illustration of an alligator resting on the top of a blue Cadillac.

The Alligator Report

Cover of "The Abyss of Human Illusion," by Gilbert Sorrentino, which features a photograph of a black bowler hat with a white feather sticking out of the side sitting on top of a glass counter.

The Abyss of Human Illusion

Cover of "Taking The Wall," by Jonis Agee, which shows a photograph of a young woman wearing a crown and a sash standing in front of a lawn chairs.

Taking the Wall

Cover of "Submergence," by J.M. Ledgard, which shows an image of a jungle on fire from a distance.

Submergence

Cover of "Stephen Florida," by Gabe Habash, which has an illustration of a some sort of large wild cat pinning down a smaller animal between massive paws.

Stephen Florida

Cover of "Some of Her Friends That Year," by Maxine Chernoff, which shows 11 illustrations of different women in various poses. These are highlighted by blue, green, and yellow shades.

Some of Her Friends That Year

Cover of "Sleight," by Kirsten Kaschock, which shows the inside of a box that has been woven through with paper containing letters, as well as a few pieces of string hanging down from the top of the box, and a broken silhouette of a person.

Sleight

Cover of "Sleep," by Stephen Dixon, which features a photograph of two people's feet with the rest of their bodies hidden under a white sheet.

Sleep

Cover of "Slab," by Selah Saterstrom, which features a drawing of a woman wearing a tiger suit laying on her stomach, smoking a cigarette. There is also an image of a heart and cross behind her body.

Slab

Cover of "Sari of the Gods," by G.S. Sharat Chandra, which shows an illustration of a woman wearing a blue and purple sari standing in front of a city with tall buildings.

Sari of the Gods

Cover of "Ray of the Star," by Laird Hunt, which shows the indistinct of a bronze statue in a hunched pose.

Ray of the Star

Cover of "Problems," by Jade Sharma, which has a light blue background and an image of a tin foil circular wrapper.

Problems

Cover of "Prayers of an Accidental Nature," by Debra Di Blasi, which features an illustration of a person's hand laying on a tiled floor surrounding by maple leaves.

Prayers of an Accidental Nature

Cover of "Portrait of the Walurs By A Young Artist," by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza.

Portrait of the Walrus by a Young Artist

Cover of "Pictures of a Dying Man," by Agymah Kamau, which features an illustration of palm trees, the sun, grass, and wind whirls, all done in chalk and set against a black background.

Pictures of a Dying Man

Cover of "Paul Metcalf Volume Three," by Paul Metcalf, which features a black and white image of a man holding a pipe, smiling, and looking away from the camera.

Paul Metcalf, Volume III

Cover of "Paul Metcalf Volume Two," by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing.

Paul Metcalf, Volume II

Cover of "Paul Metcalf Volum I," by Paul Metcalf, which features an black and white image of a man lighting a pipe.

Paul Metcalf, Volume I

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

Our Sometime Sister

Cover of "Open Line," by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue.

Open Line

Cover of "The Open Curtain," by Brian Evenson, featuring an illustration of human human arms, one holding a dagger, and the other touching the ground, and a horse hoof behind.

The Open Curtain

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