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Fiction

230 products

Cover of "Niagara," by Richard Watson, which shows an illustration of a large waterfall as well as a dusky sky.

Niagara

Cover of "Netsuke," by Rikki Ducornet, which features the interior of a Victorian that looks into a room that is lit by sunlight.

Netsuke

Cover of "My Love, My Love, or The Peasant Girl," by Rosa Guy, which features an image of the beach as the tide is going out, which reveals a spiral seashell.

My Love, My Love, or The Peasant Girl

Cover of "Mr. and Mrs. Doctor," by Julie Iromuanya, which features a rippled photo of a tall house with a porch and an American flag connected to the porch.

Mr. and Mrs. Doctor

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Lunar Follies," by Gilbert Sorrentino, which focuses on the image of a bench in some sort of gallery, as well as the blurred images of three bodiless shadows.

Lunar Follies

Cover of "Losing Absalom," by Alexs Pate, which shows several characters drawn in dark colors in various poses, as well as red wall and a staircase leading to a blue door. There is also a small graveyard next to the staircase that contains many small tombstones.

Losing Absalom

Cover of "Little Casino," by Gilbert Sorrentino, which shows a red door next to a purple wall panel; and on that panel there are several buttons that are labeled, a little slot, and a handle.

Little Casino

Cover of "Let the Dark Flower Blossom," by Norah Labiner, featuring an image of a field covered in snow and a cluster of bare-limbed trees.

Let the Dark Flower Blossom

Cover of "Leche," by R. Zamora Linmark, which shows a little toy vehicle etched with 'Philippines' on it, and the toy is positioned on a colorful rug.

Leche

Cover of "Leaving the Atocha Station," by Ben Lerner, which contains six different images that have all ben stretched out of proportion, so that it is difficult to tell what the original image was.

Leaving the Atocha Station

Cover of "Last Days," by Brian Evenson, which features a sketched image of a wolf head with the shoulders and arms of a person, and one hand on this creature is holding a knife.

Last Days

Cover of "Kind One," by Laird Hunt, which shows a hand holding a red string tied to a brass key.

Kind One

Cover of "It Will End with Us," by Sam Savage, which features the image of a forest trail at dusk and many gnarled and creepy-looking trees.

It Will End with Us

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

Cover of "How To Accommodate Men," by Marilyn Krysl, which features the image of a woman in a bikini lying on her side and shading her eyes. Above her is the image of an atomic bomb blowing up, which is shaded in red.

How to Accommodate Men

Cover of "How I Learned," by Gloria Frym, which shows a black and white image of an old school room, complete with desks, chairs, and a blackboard.

How I Learned

Cover of "How a Mother Weaned Her Girl from Fairy Tales," by Kate Berheimer, which features a photo of yellowed and dying grass as the background.

How a Mother Weaned Her Girl from Fairy Tales

Cover of "House of Coates." by Brad Zellar, which is a photograph of bare trees and falling snow captured at night.

House of Coates

Cover of "Hotel Lambosa," which has a sketched illustrations of a woman holding a small child and a man leaning towards them from the side. They are all colored in muted pastels and the border of the cover is in a turquois blue.

Hotel Lambosa

Cover of "Horse, Flower, Bird," by Kate Bernheimer, featuring a blue creature; the body of an ostrich, the head of a woman, and feathers in the shape of a large flower.

Horse, Flower, Bird

Cover of "Hold It 'Til It Hurts," by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface.

Hold It 'Til It Hurts

Cover of "High Holiday Sutra," by Allan Appel, featuring a green background, part of the title contained in a cartoon scroll, and the figure of a cartoon man sitting in the Lotus position.

High Holiday Sutra

Cover of "Her Wild American Self." by M. Evelina Galang, featuring a drawn portrait of the author, as well as an image of a group of people of various ages in shades of red and white.

Her Wild American Self

Cover of "Gunga Din Highway," by Frank Chin, which has images of three Asian men in ceremonial robes above the Hollywood sign, and beneath them are rolling green hills with a road cutting through them.

Gunga Din Highway

Cover of "Glory Goes and Gets Some," by Emily Carter, which features a black and white image of a woman's eyebrow, eye, and a small portion of her hair is seen.

Glory Goes and Gets Some

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Glass," by Same Savage, which looks on to a rainy night through a window, featured in black and white.

Glass

Cover of "German for Travelers: A Novel in 95 Lessons," by Norah Labiner, which features a black and white photo of two young girls wearing dresses and standing on some sort of drift wood.

German for Travelers: A Novel in 95 Lessons

Cover of "Genoa," by Paul Metcalf, which shows an image of the ocean with a whale's tail coming out of the water imposed over some writing.

Genoa

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of "Garden Primitives," by Danielle Sosin, which features a close up image of a the wings and body of a green moth.

Garden Primitives

Cover of "Fugue State," by Brian Evenson, which has smears of neutral colors and unreadable typography in the lower right corner.

Fugue State

Cover of "For Keepsies," by Gary Fincke, which features sketches of a small town and shades of blue to show the shadows.

For Keepsies

Cover of "Floating Kingdom," by George Rabasa, which shows a painting of a woman lying on her side in bed, and on her grows a sprawling hill city.

Floating Kingdom

Cover of "Flickering Shadows," by Kwadwo Agymah Kamau, featuring blues and golds, bodiless hands reaching for a drum, and a mountain range in the background.

Flickering Shadows

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