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Fiction

230 products

Cover of "Fish in Exile," by Vi Khi Nao, which has a black background and a luminescent jellyfish in the middle of the cover.

Fish in Exile

Cover of "Father of Lies," by Brian Evenson, on a burnt orange background with a sketch of the back half of some sort of beast with a tail, etched in white.

Father of Lies

Cover of "Famous Suicides of the Japanese Empire," by David Mura, which shows long bungalow-style houses with lit windows that show different people going about their business.

Famous Suicides of the Japanese Empire

Cover of "Faces in the Crowd," by Valeria Luiselli, which is looking at the inside of a subway, and the title is contained in a sticky-note.

Faces in the Crowd

Cover of "Extraordinary Renditions," by Andrew Ervin, which focuses on an old yellow car covered in snow and parked in front of a building covered in graffiti.

Extraordinary Renditions

Cover of "Exposed," by Cris Mazza, which has a light pink background and a black and white photo of a broken camera lens in separate pieces.

Exposed

Cover of "Everything I Found On The Beach," by Cynan Jones, with a blue background and an black drawing of a fish stuck in a net.

Everything I Found on the Beach

Cover of "Empty Pockets," by Dale Herd, which shows a small segment of a few different highway signs and a street lamp under a gray sky.

Empty Pockets

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Drowning Tucson," which is a photo of the back entrance of a house, with a dumpster, a lit porch lamp, and a staircase.

Drowning Tucson

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Desire," by Lindsay Ahl, depicting an inky tree and its roots on a scroll of yellow and blue.

Desire

Cover of Summer Brenner's "Dancers & the Dance," focusing on sketches of four women dancing.

Dancers & the Dance

Cover of "Crowning the Queen of Love," by Susan Welch, which features an image of a few people leaning against a bar in muted colors.

Crowning the Queen of Love

Cover of "Cover Me," which has a drawing of an open door which looks into a room with two drawn figures, and the foreground has two drawn hands grasping tightly to each other.

Cover Me

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of Allan Appel's "Club Revelation," featuring a classic diner setup with a booth as a focal point.

Club Revelation

Cover of "Clifford's Blues," by John A. Williams, featuring a drawing of a Black man wearing a tuxedo and playing the piano.

Clifford's Blues

Cover of "Circle K Cycles," by Karen Tei Yamashita, focusing on brightly colored images of temples, statues, and city life, as well as a drawing of a woman smiling widely.

Circle K Cycles

Cover of "Certain People," by Roberta Allen, with yellow rocking chair and broom as the focal point within a black and white room.

Certain People

Cover of "Captain Blackman," by John A. Williams, featuring black, green, and red-reminiscent of a flag. The cover also features a picture of a Black solider carrying a rifle.

Captain Blackman

Cover of "Camanchaca," by Diego Zuniga which has an image of the desert that has been erased slightly, as well as a paper truck in the foreground.

Camanchaca

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Brightfellow," by Pikki Ducornet, featuring a photo of a sad young girl in black and white.

Brightfellow

book cover

Brian Evenson, New and Reissued

Cover of "Bone Truth," by Anne Finger on a red background and small black embellishments spaced evenly apart throughout the cover.

Bone Truth

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

Cover of "Before Elvis There Was Nothing," by Laurie Foos, featuring a white cover with a pink box containing the title. Next to it, there is a long strip of curly hair and within the curl, there is a small pink silhouette of Elvis holding a guitar.

Before Elvis There Was Nothing

Cover of "Autopsy of an Engine," by Lolita Hernandez, featuring the front bumper of a red Cadillac, the Cadillac emblem, and the metallic grill.

Autopsy of an Engine

Cover of "Anime Wong," by Karen Tei Yamashita, with a very abstract face on yellow/brown paper.

Anime Wong

Cover of "Angel Strings," by Gary Eberle featuring an abstract guitar painted in drab colors, with flowers with eyeballs in the center.

Angel Strings

Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

Angel de la Luna and the 5th Glorious Mystery

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