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For Cold Brew Summer Sale

519 products

Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

Civil Disobediences

Cover of "Captain Blackman," by John A. Williams, featuring black, green, and red-reminiscent of a flag. The cover also features a picture of a Black solider carrying a rifle.

Captain Blackman

book cover featuring black and white drawing of a person walking dogs on a cobblestone street during a storm with birds surrounding them and purple strips of color with the title and author

Why We Live with Animals

Cover of "The Loving Detail of the Living & the Dead," by Eleni Sikelianos, which features collage style images: a close-up of someone's eyes, a person on a bicycle, and a man laying down. The rest of the background is a checkered patterned in varying cool tones.

The Loving Detail of the Living & the Dead

Cover of "Paul Metcalf Volum I," by Paul Metcalf, which features an black and white image of a man lighting a pipe.

Paul Metcalf, Volume I

Cover of "Half in Shade," by Judith Kitchen, which is an black and white photograph of a lady sitting on a fence, wearing a suit, and has her feet propped on a tire.

Half in Shade

Book cover featuring drawn image of a scribble over multiple dotted lines on a piece of lined notebook paper

Thousands

book cover featuring painting of a lightbulb and screw hanging from threads on a wall next to a firefly and polaroid on a green wall background

Truth, War, and the Dream-Game

book cover featuring multicolored background of black, orange, yellow, pink, and blue tones with a crayon texture with the title and author in white text

Things I Must Have Known

Cover of "The Cosmopolitan," by Donna Stoneipher, which features a wild flower holding a bird that's feathers are a painting of a lady's face.

The Cosmopolitan

Cover of "Rounding the Human Corner," by Linda Hogan, which features a closeup of a horse's face and eye and the rest of the cover gives the appearance of looking felt-like.

Rounding the Human Corners

Cover of "Paul Metcalf Volume Two," by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing.

Paul Metcalf, Volume II

Cover of "Netsuke," by Rikki Ducornet, which features the interior of a Victorian that looks into a room that is lit by sunlight.

Netsuke

Cover of "Legends from Camp," by Lawson Fusao Inada, which features a black and white photo of a man, woman, and a little boy, and the rest of the cover is a bright red.

Legends from Camp

Coffee House Tote

Cover of "Brightfellow," by Pikki Ducornet, featuring a photo of a sad young girl in black and white.

Brightfellow

Book Cover of "The Aquatics" featuring a man's face overlayed by red waves on a red background

The Aquatics

book cover featuring black and white image of two hands holding a turtle

The Tortoise of History

Cover of "The Long Dry," by Cynan Jones, featuring shades of orange and tan that are shaped into figures of grass and a claw-like creature.

The Long Dry

Cover of "The Iovis Trilogy," by Anne Waldman, which has a faint yellow mandala design at the top of the page with a tribal statue in front of it, and the rest of the cover is in black.

The Iovis Trilogy

Cover of "The Collected Fiction of Kenneth Koch," which features a painting of a body of water reflecting the moonlight through a pair of trees.

The Collected Fiction of Kenneth Koch

Rikki Ducornet Collection

Cover of "The Blue Girl," by Laurie Foos, which has a pink background and an image of a moon pie above the title.

The Blue Girl

Cover of "Teahouse of the Almighty," by Patricia Smith, which features a drawing of a Black woman wearing a bright orange dress.

Teahouse of the Almighty

Cover of "Sarah— Of Fragments and Lines," by Julie Carr, which features a blue and green watercolor background and four little birds sitting on a wire.

Sarah—Of Fragments and Lines

Cover of "Paul Metcalf Volume Three," by Paul Metcalf, which features a black and white image of a man holding a pipe, smiling, and looking away from the camera.

Paul Metcalf, Volume III

Cover of "Mr. and Mrs. Doctor," by Julie Iromuanya, which features a rippled photo of a tall house with a porch and an American flag connected to the porch.

Mr. and Mrs. Doctor

Cover of Mark McMorris's "Entrepôt," which features black and gray scribbles letters that cannot be made out.

Entrepôt

Cover of "Drawing the Line," by Lawson Fusao Inada, which is colored orange on the left side, while the right side contains a painting of a mountainous landscape.

Drawing the Line

Cover of the anthology "Beats at Naropa" with the title in a yellow rectangle, the names of the authors in a vertical red column, and the name of the editors at the bottom in a blue rectangle. The center of the cover features four people in black and white.

Beats at Naropa

Cover of "Autopsy of an Engine," by Lolita Hernandez, featuring the front bumper of a red Cadillac, the Cadillac emblem, and the metallic grill.

Autopsy of an Engine

Cover image of Eimear McBride's "A Girl is a Half-formed Thing" on a white background with a tangled abstract image containing the title.

A Girl is a Half-formed Thing

Book cover featuring image of a woman's face in blue and yellow tones that fades into abstract outlines on a tan background

ULULU (Clown Shrapnel)

book cover featuring black and white bolded drawings of animals, objects, and humans in a zig zag formation around the title that is in red text running along a banner

The Song of Percival Peacock

book cover featuring picture of a piggy bank standing against a white background with the title in scratchy black text centered over the image

The Rise & Fall of the Scandamerican Domestic

book cover

The Impossibly

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