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For Cold Brew Summer Sale

520 products

Cover of "Drawing the Line," by Lawson Fusao Inada, which is colored orange on the left side, while the right side contains a painting of a mountainous landscape.

Drawing the Line

Cover of "Autopsy of an Engine," by Lolita Hernandez, featuring the front bumper of a red Cadillac, the Cadillac emblem, and the metallic grill.

Autopsy of an Engine

Cover of Jessica Treat's "A Robber in the House," featuring a black and white abstract image of a face on a red background.

A Robber in the House

Book cover featuring image of a woman's face in blue and yellow tones that fades into abstract outlines on a tan background

ULULU (Clown Shrapnel)

book cover featuring picture of a piggy bank standing against a white background with the title in scratchy black text centered over the image

The Rise & Fall of the Scandamerican Domestic

book cover

The Impossibly

Cover of "The Annotated 'Here' and Selected Poems," by Marjorie Welish, which includes black and red borders and a center square containing a grey background with the title in a red font.

The Annotated "Here" and Selected Poems

Cover of "Shoulder Season," by Ange Mlinko, featuring several illustrations of random objects, such as a skeletal horse, a statute of a lion with wings, and a sailboat on green water.

Shoulder Season

Cover of "Night Train," by Lise Erdrich, which features an image of several mailboxes; some of them are open and have letters in them, some of them are closed.

Night Train

Cover of "Her Wild American Self." by M. Evelina Galang, featuring a drawn portrait of the author, as well as an image of a group of people of various ages in shades of red and white.

Her Wild American Self

Cover of "Genoa," by Paul Metcalf, which shows an image of the ocean with a whale's tail coming out of the water imposed over some writing.

Genoa

Cover of "Everything I Found On The Beach," by Cynan Jones, with a blue background and an black drawing of a fish stuck in a net.

Everything I Found on the Beach

Cover of "Distance & Direction," by Judith Kitchen, which is a small sketch of tall buildings with a telephone wire strung between. These sketches are done in black ink against a light yellow paper.

Distance and Direction

Cover of "Amateurs," by Dylan Hicks, showcasing a rough sketch of eight people in different poses in front of a colored in green background.

Amateurs

Cover of "A Long Way From St. Louie" by Collen J. McElroy, with a dark blue background and orange flowers, as well as the back of a lady dressed in orange wearing a large orange hat.

A Long Way from St. Louie

book cover featuring image of a pair of worn books standing on a train ledge overlooking a black section where the title is written in bold text at a diagonal

Working Words

book cover featuring image of an empty and depleted room in orange lighting from a light on a nightstand in the corner of the room next to an office chair and an open door looking out into a distant city

Whorled

book cover featuring black and white image of a man on the right side of the cover with the title and author in white text on the left side over a purple and pink background

Thirsting for Peace in a Raging Century

Cover of "The Moon in Its Flight," by Gilbert Sorrentino, featuring a blurry photo of an old granite structure.

The Moon in Its Flight

Cover of "The Green Lake Is Awake," by Joseph Ceravolo, featuring a red background with a black abstract forest with some sort of design running through it.

The Green Lake Is Awake: Selected Poems

Cover of "The Falling Down Dance," by Chris Martin, which shows a light purple background with a white liquid being poured in front of it.

The Falling Down Dance

Cover of "The Dig," by Cynan Jones, showing jagged lines running through the title in black and white.

The Dig

Cover of "The Complexities of Intimacy," byMary Capongro, which shows three wooden dolls in ragged clothing standing with their arms stretched wide.

The Complexities of Intimacy

Cover of "The Baltimore Atrocities," by John Dermot Woods, which shows a cartoon illustration of a man wearing a suit and sitting on a chair while he holds a picture of someone in his hand.

The Baltimore Atrocities

Cover of "The Artist's Library," which features an image of folded pieces of paper that are stacked on top of one another, and there is some writing visible on some of these pages.

The Artist's Library

Cover of "Submergence," by J.M. Ledgard, which shows an image of a jungle on fire from a distance.

Submergence

Cover of "Skirt Full of Black," by Sun Yung Shin, which has an illustration of an orange typewriter, as well as a blue and black background that has white letters spilling on to the black portion.

Skirt Full of Black

Sacred Vows

Cover of "Routine Disruptions," by Kenward Elmslie, which has the repeating image of a woman wearing a red dress and a red hat with both arms outstretched in front of her.

Routine Disruptions

Cover of the collection Karen Tei Yamashita: New and Reissued, featuring images of six of her works; "I Hotel", "Sansei and Sensibility", "Letters To Memory", "Through The Arc Of The Rain Forest", "Brazil-Maru", and "Tropic of Orange".

Karen Tei Yamashita: New and Reissued

Cover of the collection Karen Tei Yamashita: The Novels, featuring the images of four of her works; "Tropic of Orange", "I Hotel", "Through the Arc of the Rain Forest", and "Brazil-Maru".

Karen Tei Yamashita: The Novels

Cover of "One Small Saga," by Bobbie Louise Hawkins, which is a plain deep red color that gets slightly brighter at the top of the cover.

One Small Saga

Cover of "Fugitive, in Full View," by Jack Marshall, which shows an image of the cosmos, with swirling nebulae and sparkling blue stars.

Fugitive, in Full View

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

Crossing Three Wildernesses

Cover of Sandra Benitez's "A Place Where the Sea Remembers," featuring an old lady holding a candle with a bird flying behind her.

A Place Where the Sea Remembers

Cover image of Brenda Coultas's "A Handmade Museum" with a blue and green colors and a chain-link fence in the background, as well as a focus on graffitied walls.

A Handmade Museum

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