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For Cold Brew Summer Sale

519 products

Cover of "So What So That," by Marjorie Welish, which features a light green background with the title in a charcoal grey color and large font.

So What So That

Cover of "Sleight," by Kirsten Kaschock, which shows the inside of a box that has been woven through with paper containing letters, as well as a few pieces of string hanging down from the top of the box, and a broken silhouette of a person.

Sleight

Cover of "Rough, and Savage," by Sun Yung Shin, which features the illustration of a black, winged reptilian creature.

Rough, and Savage

Cover of "Ripple Effect," by Elaine Equi, which has a lime green background and swirling red ribbons in the foreground.

Ripple Effect

Cover of "Null Set," by Ted Mathys, which focuses on the image of a white brick wall and green grass below it.

Null Set

Cover of "My Love, My Love, or The Peasant Girl," by Rosa Guy, which features an image of the beach as the tide is going out, which reveals a spiral seashell.

My Love, My Love, or The Peasant Girl

Cover of "Murder (a violet)," by Raymond McDaniel, which features wavering lines in blues, reds, whites, blacks, and yellows.

Murder (a violet)

Cover of "Let the Dark Flower Blossom," by Norah Labiner, featuring an image of a field covered in snow and a cluster of bare-limbed trees.

Let the Dark Flower Blossom

Cover of "Hotel Lambosa," which has a sketched illustrations of a woman holding a small child and a man leaning towards them from the side. They are all colored in muted pastels and the border of the cover is in a turquois blue.

Hotel Lambosa

Cover of "Horse, Flower, Bird," by Kate Bernheimer, featuring a blue creature; the body of an ostrich, the head of a woman, and feathers in the shape of a large flower.

Horse, Flower, Bird

Cover of "Garden Primitives," by Danielle Sosin, which features a close up image of a the wings and body of a green moth.

Garden Primitives

Cover of "Errançities," by Quincy Troupe, featuring an aerial shot of what looks like a city market.

Errançities

Cover of "Drowning Tucson," which is a photo of the back entrance of a house, with a dumpster, a lit porch lamp, and a staircase.

Drowning Tucson

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

Crossing Three Wildernesses

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

Bleed Through

Cover of "A Strange Commonplace," by Gilbert Sorrentino, featuring a black and white dartboard with a red bullseye.

A Strange Commonplace

The cover of "A .38 Special and a Broken Heart" featuring a black background and a pair of cowboy boots covered in hearts and thorny roses.

A .38 Special and a Broken Heart

Fall 2026 Subscription

Book cover of 'Yñiga' by Glenn Diaz with abstract design of a woman and text on a yellow and green background

Yñiga

book cover featuring white background with blue streaks of paint from the left side and title and author in minimal text on the right

Word Group

book cover featuring imagery of news clippings, horses, and images of Native Americans in the center with the title and author on the border in a scrapbook fashion

Visit Teepee Town: Native Writings After the Detours

book cover featuring a large drawing of a woman with red hair in a blue gown holding onto the side of a building while while smaller people on the sidewalk look and point up at her

Verging on the Pertinent

book cover featuring the title in orange text on a blue rectangle in the upper left corner of orange background

To and For

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

The Marvelous Bones of Time

Cover of "The Last Warner Woman," by Kei Miller, which shows a silhouette of an arm holding a bundle of shadowed flowers against a bright red background.

The Last Warner Woman

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "The Exquisite," by Laird Hunt, featuring a closeup of a human eye that is blueish green with a golden rim around the pupil.

The Exquisite

Cover of "The Cry of the Sloth," by Sam Savage, which shows an illustration of a black typewriter against an orange background.

The Cry of the Sloth

Cover of "The Banquet," by Kenneth Koch, which shows several people standing on a stage in various poses and costumes.

The Banquet

Cover of "Somewhere Else," by Matthew Shenoda, which has a water-stained paper background with a piece of cardboard in the lower left corner containing some letters.

Somewhere Else

Cover of "Selected Poems," by Mark Ford, which features a very abstract painting of a few flowers sitting on a table.

Selected Poems

Cover of "Screaming Monkeys," which shows a small illustration of a stick figure man with a detailed head and face, and the rest of the cover is in black and yellow.

Screaming Monkeys

Cover of "Portrait of the Walurs By A Young Artist," by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza.

Portrait of the Walrus by a Young Artist

Cover of "Maraca," by Victor Hernández Cruz, which shows an image of several maracas that have green, white, red, and black on them.

Maraca

Cover of "Let's Not Keep Fighting the Trojan War," by Edward Sanders, which features a black and white image of half a mustachioed man's face and upper body, as well as blue and green splotches of color behind him.

Let's Not Keep Fighting the Trojan War

Cover of "Leche," by R. Zamora Linmark, which shows a little toy vehicle etched with 'Philippines' on it, and the toy is positioned on a colorful rug.

Leche

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