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Cover of Greg Hewett's "darkacre," showcasing a window looking into another window, which shows green trees.

darkacre

Cover of Summer Brenner's "Dancers & the Dance," focusing on sketches of four women dancing.

Dancers & the Dance

Cover of "DANCE," by Lightsey Darst which has swirling ribbons of text on paper, as well as a blue background.

DANCE

Cover of "Crowning the Queen of Love," by Susan Welch, which features an image of a few people leaning against a bar in muted colors.

Crowning the Queen of Love

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

Crossing Three Wildernesses

Cover of Bob Kaufman's "Cranial Guitar," featuring a vague sketch of a guitar, shaded in blue with a yellow center, and the left side in a shade of bright yellow.

Cranial Guitar

Cover of "Cover Me," which has a drawing of an open door which looks into a room with two drawn figures, and the foreground has two drawn hands grasping tightly to each other.

Cover Me

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

Corvus

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Collisions and Transformations," by Leslie Simon, featuring a dilapidated piece of concrete in a shade of light purple.

Collisions and Transformations

Cover of "Coal Mountain Elementary," by Mark Nowak, which features a photo of a man in the dark, lit from behind by lamps, wearing a mining uniform.

Coal Mountain Elementary

Cover of Allan Appel's "Club Revelation," featuring a classic diner setup with a booth as a focal point.

Club Revelation

Cover of Michael Scholnick's "Clinch," which has a drawer with abstract utensils and a black and blue background.

Clinch

Cover of "Clifford's Blues," by John A. Williams, featuring a drawing of a Black man wearing a tuxedo and playing the piano.

Clifford's Blues

Cover of "Click and Clone," by Elaine Equi, featuring a silhouetted sheep within a cartoon sun.

Click and Clone

Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

Civil Disobediences

Cover of "Circle K Cycles," by Karen Tei Yamashita, focusing on brightly colored images of temples, statues, and city life, as well as a drawing of a woman smiling widely.

Circle K Cycles

Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

Choruses

Cover of "Certain People," by Roberta Allen, with yellow rocking chair and broom as the focal point within a black and white room.

Certain People

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Cover of "Captain Blackman," by John A. Williams, featuring black, green, and red-reminiscent of a flag. The cover also features a picture of a Black solider carrying a rifle.

Captain Blackman

Cover of "Cantos To Blood & Honey," by Adrian Castro, featuring black and red and sketches of different icons.

Cantos to Blood & Honey

Cover of Michael Lally's "Cant Be Wrong," with half the cover in green and the other side featuring a black and white image of a man.

Cant Be Wrong

Cover of "Broken World," by Joseph Lease, with an image of a dilapidated fence, broken concrete, and a wooden board.

Broken World

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

book cover

Brian Evenson, New and Reissued

Cover of "Breakers," by Paul Violi, in all blue with a focus on sea creatures in the center in a lighter blue.

Breakers

Cover of "Bone Truth," by Anne Finger on a red background and small black embellishments spaced evenly apart throughout the cover.

Bone Truth

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

Body Clock

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

Boarded Windows

Cover of Patricia Smith's "Blood Dazzler," portraying the image of a hurricane off the coast.

Blood Dazzler

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

Bleed Through

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

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