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Cover of "Green is for World," by Juliana Leslie, focusing on the image of several scraps of paper in various shades of blues, greens, and whites.

Green Is for World

Cover of "Gorgeous Chaos," by Jack Marshall, which shows vivid colors of the rainbow in the style of a thermogram.

Gorgeous Chaos

Cover of "Glory Goes and Gets Some," by Emily Carter, which features a black and white image of a woman's eyebrow, eye, and a small portion of her hair is seen.

Glory Goes and Gets Some

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

Glass Houses

Cover of "Glass," by Same Savage, which looks on to a rainy night through a window, featured in black and white.

Glass

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "German for Travelers: A Novel in 95 Lessons," by Norah Labiner, which features a black and white photo of two young girls wearing dresses and standing on some sort of drift wood.

German for Travelers: A Novel in 95 Lessons

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of "Garden Primitives," by Danielle Sosin, which features a close up image of a the wings and body of a green moth.

Garden Primitives

Cover of "Fugue State," by Brian Evenson, which has smears of neutral colors and unreadable typography in the lower right corner.

Fugue State

Cover of "From Baghdad to Brooklyn," by Jack Marshall, which shows a grainy photo of a small child smiling while wearing a yellow blanket on their head.

From Baghdad to Brooklyn

Cover of "Friends in the World: The Education of a Writer," by Aram Saroyan, which includes geometric shapes, abstract images of people, and a yellowish-colored background.

Friends in the World: The Education of a Writer

Cover of "Four Incarnations," by Robert Sward, featuring a pink rectangle in the left corner that contains the number 4, and a purple rectangle in the bottom right corner. The other two corners are black in color.

Four Incarnations

Cover of "Forge," by Ted Mathys, which has the bottom half covered in a bright orange color that contains some texture, and the top half is pure black.

Forge

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "For Keepsies," by Gary Fincke, which features sketches of a small town and shades of blue to show the shadows.

For Keepsies

Cover of "Floating Kingdom," by George Rabasa, which shows a painting of a woman lying on her side in bed, and on her grows a sprawling hill city.

Floating Kingdom

Cover of "Flickering Shadows," by Kwadwo Agymah Kamau, featuring blues and golds, bodiless hands reaching for a drum, and a mountain range in the background.

Flickering Shadows

Cover of "Find the Girl," by Lightsey Darst, featuring a blurred image of police yellow tape.

Find the Girl

Cover of "Famous Suicides of the Japanese Empire," by David Mura, which shows long bungalow-style houses with lit windows that show different people going about their business.

Famous Suicides of the Japanese Empire

Cover of "Extraordinary Renditions," by Andrew Ervin, which focuses on an old yellow car covered in snow and parked in front of a building covered in graffiti.

Extraordinary Renditions

Cover of "Exposed," by Cris Mazza, which has a light pink background and a black and white photo of a broken camera lens in separate pieces.

Exposed

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

Exhibit of Forking Paths

Cover of "Errançities," by Quincy Troupe, featuring an aerial shot of what looks like a city market.

Errançities

Cover of "Erosion's Pull," by Maureen Owen, which focuses on the close up of a rock and all the swirling veins and colors within.

Erosion's Pull

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Cover of Mark McMorris's "Entrepôt," which features black and gray scribbles letters that cannot be made out.

Entrepôt

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

Easter Sunday

Cover of "Earthling," by Steve Healey, which includes a geometric equation, a spine, and the shadowy figure of a person in the background.

Earthling

Cover of "Earliest Worlds," by Eleni Sikelianos, which features a window looking out towards a few buildings, and this window is also bordered by green and orange colors.

Earliest Worlds

Cover of "Drowning Tucson," which is a photo of the back entrance of a house, with a dumpster, a lit porch lamp, and a staircase.

Drowning Tucson

Cover of "Drawing the Line," by Lawson Fusao Inada, which is colored orange on the left side, while the right side contains a painting of a mountainous landscape.

Drawing the Line

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

Donald Duk

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "Distance & Direction," by Judith Kitchen, which is a small sketch of tall buildings with a telephone wire strung between. These sketches are done in black ink against a light yellow paper.

Distance and Direction

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