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Cover of "Red Suburb," by Greg Hewett, which features the very blurred image of two people in a convertible, one in the driver's seat, and one behind holding on to them.

Red Suburb

Cover of "Red Beans," by Victor Hernández Cruz, which has the image of a black lace fan inlaid with white abstract designs, and in the background there is an orange lattice design, and half of a guitar that has black and white swirls.

Red Beans

Cover of "Ray of the Star," by Laird Hunt, which shows the indistinct of a bronze statue in a hunched pose.

Ray of the Star

Cover of "Psychedelic Norway," by John Colburn, which features the silhouettes of several farm animals shaded in pink, small illustrated flowers, and a white bunny.

Psychedelic Norway

Cover of "Prayers of an Accidental Nature," by Debra Di Blasi, which features an illustration of a person's hand laying on a tiled floor surrounding by maple leaves.

Prayers of an Accidental Nature

Cover of "Potluck Supper with Meeting to Follow," by Andy Sturdevant, which features several small illustrations of mundane objects, such as a tape dispenser, the news paper, and a billboard.

Potluck Supper with Meeting to Follow

Cover of "Portrait of the Walurs By A Young Artist," by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza.

Portrait of the Walrus by a Young Artist

Cover of "Portrait and Dream," by Bill Berkson, which focuses on an illustration of a shaft of sunlight coming through a slanted window.

Portrait and Dream

Cover of "Pictures of a Dying Man," by Agymah Kamau, which features an illustration of palm trees, the sun, grass, and wind whirls, all done in chalk and set against a black background.

Pictures of a Dying Man

Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

Pick Up the House

Cover of "Paul Metcalf Volume Three," by Paul Metcalf, which features a black and white image of a man holding a pipe, smiling, and looking away from the camera.

Paul Metcalf, Volume III

Cover of "Paul Metcalf Volume Two," by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing.

Paul Metcalf, Volume II

Cover of "Paul Metcalf Volum I," by Paul Metcalf, which features an black and white image of a man lighting a pipe.

Paul Metcalf, Volume I

Cover of "Panoramas," by Victor Hernández Cruz, which features an illustration of two wicker chairs, gray mountains, a yellow wall with arches, and a solid blue sky.

Panoramas

Cover of "Pages from a Scrapbook of Immigrants: A Journey in Poems," by Morton Marcus, which features an illustration of a man with a long beard wearing a trench coat seated in front of some sort of religious building.

Pages from a Scrapbook of Immigrants: A Journey in Poems

Cover of "Outlying Districts," by Anselm Hollo, which has several geometric shapes colored in purple, teal, white, and black.

Outlying Districts

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

Our Sometime Sister

Cover of "Open Line," by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue.

Open Line

Cover of "One Thing That Can Save Us," by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background.

One Thing That Can Save Us

Cover of "One Small Saga," by Bobbie Louise Hawkins, which is a plain deep red color that gets slightly brighter at the top of the cover.

One Small Saga

Cover of "On the Planet without Visa," by Sotère Torregian, which features an illustration of a desert and a blue sky, as well as a statute of a woman's head laying in the sand.

On the Planet without Visa

Cover of "Off-Season City Pipe," by Allison Adelle Hedge Coke, which features an image of a body of water lit by moonlit and a dark sky.

Off-Season City Pipe

Cover of "Off We Go Into the Wild Blue Yonder," by Travis Nichols, which features a clear blue sky, a field of green grass, and a massive explosion in the background.

Off We Go Into the Wild Blue Yonder

Cover of "Of Flesh & Spirit," by Wang Ping, which shows the image of a lotus flower in a distorted yellow color.

Of Flesh & Spirit

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

Cover of "Night Train," by Lise Erdrich, which features an image of several mailboxes; some of them are open and have letters in them, some of them are closed.

Night Train

Cover of "Nice To See You: Homage to Ted Berrigan," edited by Anne Waldman, which features a blue background with an illustration of a man with long hair wearing glasses done in black ink and covered in a bright yellow.

Nice to See You: Homage to Ted Berrigan

Cover of "Niagara," by Richard Watson, which shows an illustration of a large waterfall as well as a dusky sky.

Niagara

Cover of "Netsuke," by Rikki Ducornet, which features the interior of a Victorian that looks into a room that is lit by sunlight.

Netsuke

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

Necessary Distance

Cover of "My Love, My Love, or The Peasant Girl," by Rosa Guy, which features an image of the beach as the tide is going out, which reveals a spiral seashell.

My Love, My Love, or The Peasant Girl

Cover of "Murder (a violet)," by Raymond McDaniel, which features wavering lines in blues, reds, whites, blacks, and yellows.

Murder (a violet)

Cover of "Moment's Notice: Jazz in Poetry & Prose," which features a black and white image of the back side of a man playing a piano.

Moment's Notice: Jazz in Poetry and Prose

Cover of "Miniatures," by Norah Labiner, which shows a pixelated image of a room containing a desk with a typewriter on top, and a few tables and chairs. There are also double doors that open into another larger room.

Miniatures

Cover of "Millennium Fever," by Jack Marshall, which features a bright blue background that fades into shades of purple and yellow and above these colors lays a geometric pattern in solid black.

Millennium Fever

Cover of "Margaret & Dusty," by Alice Notley, which features a close-up photo in black and white of a woman's face.

Margaret & Dusty

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