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Cover of "The Moon in Its Flight," by Gilbert Sorrentino, featuring a blurry photo of an old granite structure.

The Moon in Its Flight

Cover of "The Mirror of Monsters and Prodigies," by Pamela Ditchoff, which shows a distorted drawing of a man looking into a mirror.

The Mirror of Monsters and Prodigies

Cover of "The Mermaid That Came Between Them," by Carol Ann Sima, featuring an illustration done in black and white of an ocean with a large fish's tale emerging from the waves.

The Mermaid That Came Between Them

Cover of "The Meat and Spirit Plan," by Selah Saterstrom, featuring a discolored purple photo of a woman wearing a cloak and a hood with devil horns.

The Meat and Spirit Plan

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

The Marvelous Bones of Time

Cover of "The Man Who Swam with Beavers," by Nancy Lord, which is bordered by an illustration of tree branches, contains a painting of a foggy forest, and within this forest there is a streetlight, road sign, and a telephone.

The Man Who Swam with Beavers

Cover of "The Man in the Cardboard Mask," by Alvin Greenberg, which features an illustration of a man's face in black ink and minimal detail.

The Man in the Cardboard Mask

Cover of "The Magic Whip," by Wang Ping, featuring a photograph of a woman in a magenta robe braiding her long, dark hair.

The Magic Whip

Cover of "The Loving Detail of the Living & the Dead," by Eleni Sikelianos, which features collage style images: a close-up of someone's eyes, a person on a bicycle, and a man laying down. The rest of the background is a checkered patterned in varying cool tones.

The Loving Detail of the Living & the Dead

Cover of "The Lion's Share," by Rochelle Ratner, showing a drawing of a woman in a blue dress sitting in a chair and holding a lion cub in her lap.

The Lion's Share

Cover of "The Last Warner Woman," by Kei Miller, which shows a silhouette of an arm holding a bundle of shadowed flowers against a bright red background.

The Last Warner Woman

Cover of "The Last Communist Virgin," by Wang Ping, which shows an image of a woman turned away from the viewer to expose the three stars tattooed on the back of her shoulder as she looks at a brick wall.

The Last Communist Virgin

Cover of "The Lakestown Rebellion," by Kristin Lattany, featuring a saturated image of a construction sign reading 'Road Construction Ahead'.

The Lakestown Rebellion

Cover of "The Iovis Trilogy," by Anne Waldman, which has a faint yellow mandala design at the top of the page with a tribal statue in front of it, and the rest of the cover is in black.

The Iovis Trilogy

book cover

The Impossibly

Cover of "The Hebrew Tutor of Bel Air," by Allan Appel, showing a light blue wall and arms that are dangling over the edge.

The Hebrew Tutor of Bel Air

Cover of "The Green Lake Is Awake," by Joseph Ceravolo, featuring a red background with a black abstract forest with some sort of design running through it.

The Green Lake Is Awake: Selected Poems

Cover of "The Grasshopper King," by Jordan Ellenberg, which has a checkered design set in shades of light and dark green, as well as a silhouette of a grasshopper in a light green circle.

The Grasshopper King

Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

The First Flag

Cover of "The Exquisite," by Laird Hunt, featuring a closeup of a human eye that is blueish green with a golden rim around the pupil.

The Exquisite

Cover of "The Eros Conspiracy," by Greg Hewett, featuring a photo of the upper right side of a man's body overlaid with white text.

The Eros Conspiracy

Cover of "The Cry of the Sloth," by Sam Savage, which shows an illustration of a black typewriter against an orange background.

The Cry of the Sloth

Cover of "The Cotillion," by John Oliver Killens, which features a blue filtered photo of a Black man and woman looking out a window.

The Cotillion

Cover of "The Cosmopolitan," by Donna Stoneipher, which features a wild flower holding a bird that's feathers are a painting of a lady's face.

The Cosmopolitan

Cover of "The Complexities of Intimacy," byMary Capongro, which shows three wooden dolls in ragged clothing standing with their arms stretched wide.

The Complexities of Intimacy

Cover of "The Collected Fiction of Kenneth Koch," which features a painting of a body of water reflecting the moonlight through a pair of trees.

The Collected Fiction of Kenneth Koch

Cover of "The Cockfighter," by Frank Manley, showing a desaturated image of a small child holding a rooster.

The Cockfighter

Cover of "The Cloud of Knowable Things," by Elaine Equi, showing a city sky line against a gray sky with one cartoon cloud floating above.

The Cloud of Knowable Things

Cover of "The Chinaman Pacific & Frisco R.R. Co.," by Frank Chin, which shows an illustration of a man wearing lime green overalls, a bright pink shirt, and a yellow hat, holding a bucket and standing in front of a train.

The Chinaman Pacific & Frisco R.R. Co.

Cover of "The California Poem," by Eleni Sikelianos, featuring a landscape photograph contained in a grid.

The California Poem

Cover of "The Book of Medicines," by Linda Hogan, featuring a drawing of a green turtle overlaid on a crescent moon.

The Book of Medicines

Cover of "The Banquet," by Kenneth Koch, which shows several people standing on a stage in various poses and costumes.

The Banquet

Cover of "The Architecture of Language," by Quincy Troupe, featuring geometric swirls and shapes in various colors against a black background.

The Architecture of Language

Cover of "The Annotated 'Here' and Selected Poems," by Marjorie Welish, which includes black and red borders and a center square containing a grey background with the title in a red font.

The Annotated "Here" and Selected Poems

Cover of "The Alligator Report," by W.P. Kinsella, which shows an illustration of an alligator resting on the top of a blue Cadillac.

The Alligator Report

Cover of "The Abyss of Human Illusion," by Gilbert Sorrentino, which features a photograph of a black bowler hat with a white feather sticking out of the side sitting on top of a glass counter.

The Abyss of Human Illusion

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