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Women's History Month

Women's History Month

206 products

Cover of "In The Futurity Lounge," by Marjorie Welish, which has a bright orange background that has been inlaid with the praise of the book.

In the Futurity Lounge

Cover of "Isle of the Signatories," by Marjorie Welish, which shows signatures and writing in blue ink, but the writing and signatures have been inversed, so they are not readable.

Isle of the Signatories

Cover of "The Last Warner Woman," by Kei Miller, which shows a silhouette of an arm holding a bundle of shadowed flowers against a bright red background.

The Last Warner Woman

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

The Marvelous Bones of Time

book cover featuring white background with blue streaks of paint from the left side and title and author in minimal text on the right

Word Group

Cover of "Erosion's Pull," by Maureen Owen, which focuses on the close up of a rock and all the swirling veins and colors within.

Erosion's Pull

Sold Out

Cover of "Open Line," by Ellen Hawley, which features an image of a microphone on a white background that is bordered in red and blue.

Open Line

Cover of "Savings," by Linda Hogan, which features an illustration of a blue fish swallowing something.

Savings

Cover of "Some of Her Friends That Year," by Maxine Chernoff, which shows 11 illustrations of different women in various poses. These are highlighted by blue, green, and yellow shades.

Some of Her Friends That Year

Cover of "American Visa," by Wang Ping, featuring a blue background and a black and white abstract image swirling around the cover.

American Visa

Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

Angel de la Luna and the 5th Glorious Mystery

Cover of "Catch Light," by Sarah O'Brien, featuring 15 differently colored squares with images such as a jockey riding a horse, what looks like a math equation, and more.

Catch Light

Cover of "In the Room of Never Grieve," by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her.

In The Room of Never Grieve

Cover of "Of Flesh & Spirit," by Wang Ping, which shows the image of a lotus flower in a distorted yellow color.

Of Flesh & Spirit

Cover of "Off-Season City Pipe," by Allison Adelle Hedge Coke, which features an image of a body of water lit by moonlit and a dark sky.

Off-Season City Pipe

Cover of "Click and Clone," by Elaine Equi, featuring a silhouetted sheep within a cartoon sun.

Click and Clone

Cover of "That Kind of Sleep," by Susan Atefat-Peckham, which features a mandala design in shades of blue, green, red, and yellow set against a silky blue backdrop.

That Kind of Sleep

Cover of "The Lakestown Rebellion," by Kristin Lattany, featuring a saturated image of a construction sign reading 'Road Construction Ahead'.

The Lakestown Rebellion

Cover of "The Man Who Swam with Beavers," by Nancy Lord, which is bordered by an illustration of tree branches, contains a painting of a foggy forest, and within this forest there is a streetlight, road sign, and a telephone.

The Man Who Swam with Beavers

Cover of "The Old Ballerina," by Ellen Cooney, featuring a blurry image of a woman wearing a black leotard in a ballet pose.

The Old Ballerina

Book cover featuring a black and white image of a city at night in motion with the title and author in blue and white bold text on the top and bottom

American Heaven

Cover of "Dog Road Woman," by Allison Adelle Hedge Coke, which has three diamonds which contain a pattern and yellow and orange alternating colors within.

Dog Road Woman

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

Common Body, Royal Bones

Cover of "Dog People," by Cris Mazza, which features the word "dog" in large bold text that takes up the entirety of the cover, and "people" is in a small cursive script in the middle. The empty spaces are a right orange.

Dog People

Cover of "How To Leave a Country," by Cris Mazza, featuring a black and white image of a wicker chair surrounded by windows and a crumbling wall.

How to Leave a Country

book cover featuring image of the side of a person's face with their eyes closed wearing blue and pink earrings with the title in pink text in the black of the person's hair

Your Name Here

Cover of "Bingo Under the Crucifix," by Laurie Foos, which features person in black and white screaming and the title in rainbow colors is directly in front of their open mouth.

Bingo Under the Crucifix

Cove4r of Rosa Guy's "Bird at My Window," with the top half all white and the bottom half features a bird flying through an open window that is shadowed in a red hue.

Bird at My Window

Cover of "Bobby's Girl," by Rochelle Ratner, featuring a woman with a long neck and red hair wearing a shirt that contains drawings of public figures.

Bobby's Girl

Cover of "Bright Brave Phenomena," by Amanda Nadelberg, featuring an abstract land meeting an abstract sky, as well as a smaller box containing an image of a more detailed land and sky with a blue vase and yellow flowers.

Bright Brave Phenomena

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

Bring Us the Old People

Cover of "Certain People," by Roberta Allen, with yellow rocking chair and broom as the focal point within a black and white room.

Certain People

Cover of Yuko Taniguchi's "Foreign Wife Elegy," which focuses on an image of power lines with orange-hued clouds behind it. There are also markers for cardinal directions on the four sides of the cover.

Foreign Wife Elegy

Cover of "Garner," by Kirstin Allio, featuring a piece of parchment with writing on it and a blue ribbon that cuts across the middle.

Garner

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

Girl Reel

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

Iovis, Book I: All Is Full of Jove

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